Over the years, the horror genre has not been extensively explored by Nollywood. However, Dare Olaitan (Dwindle) breaks this barrier with his new horror movie, Ile Owo, which the director has said leans more into the psychological thriller realm. Olaitan’s Ile Owo takes us into the world of Akanni Owo, a man who has everything but wishes to live forever. He meets with Fijabi (Bisola Aiyeola), a witch who informs him that although his soul has already been claimed, she can still intervene to spare his sons from death, an inevitable human end. But there is a catch; a ritual must take place every 25 years in which an innocent young bride must be offered to the spirit of Sagbadewe. After the introduction of the Owo’s predestined fate, the plot then shifts to Busola (Immaculata Oko-Kasum), who has always been unlucky with her love life and meets Tunji (Efa Iwara), the man who appears to be her unanswered prayers, just after ending a romance. In the course of events, she learns too late that not everything that glitters is gold after some unsettling findings.
Ile Owo’s plot is a brilliant venture into the horror genre; it has such a suspenseful beginning that compels viewers to dive into the unknown. Although the movie aims to tread horror waters, a more compelling plot is still needed to keep viewers’ attention from start to finish. The film, therefore, loses track of its story because of the excessive focus on the ominous elements rather than incorporating the plot into the overarching picture. In fact, Ile Owo’s genuine intent may not be to portray a riveting tale of the Owo family, but rather to showcase itself as a horror extravaganza. However, Ile Owo remains a brave undertaking as it paves the way for further potential horror films. It duly serves as a needed change for a neo-Nollywood churning out too many cliché themes and formulaic narratives in their romance and crime movies.
Every strong horror movie has a compelling plot, typically its backbone; without one, the film would merely be a collection of eerie scenes or gore that serves no real meaning or purpose. Besides, some events do not fit well into Ile Owo— like how the anticipated showdown ends with a whimper, as we struggle to understand why certain events took place. Ile Owo leaves a number of unresolved questions, not because the movie intentionally tries to frighten or captivate its viewers with its conclusion, but because the movie’s build-up to the grand finale is shaky and ambiguous. What happens to the wives and family of Owo in the end? Are Tunji and his brothers the end in line to the ancestral lineage of the Owo family after the spirit of Sagbadewe returned to Fijabi? Or how does Tunji’s fate in the hands of Sagbadewe affect the Owo’s at the end of the film? Does being sacrificed to the spirit of Sagbadewe mean servitude alone for the women and not death? So many questions leave the viewer questioning what they just experienced.
Horror movies create dread, tension, and uneasiness about the unknown. Besides an ingenious story idea, the best horror movies use certain elements to create a memorable experience. John Krasinski’s A Quiet Place used sound design, jump scares and relentless pace to create a legitimately terrifying experience without losing focus of the story it wanted to tell. Ile Owo only manages to achieve this through occasional background noises and a gloomy atmosphere, but the story falters in the final act. Despite its flaws, the director, who has a bigger horror project in mind, has shown brilliance in trying to tell a poignant tale while delving into the supernatural. The movie’s inability to arrive at a compelling conclusion or provide a strong sense of closure deeply waters down its anticipated effects. Dare Olaitan’s reins on the story slips as more focus is placed on the horror elements, thus Ile Owo fails to be memorable and falls short.
Ile Owo starts streaming on Netflix on May 19.
Rating: 6.3/10
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Side Musings
- I was more into Busola’s beautiful hair in every scene than whether one Sagbadewe showed up or not.
- It was somehow disappointing to see Bisola Aiyeola in just two scenes.
- Don’t trust Yoruba men.
- I like how the spirit pops up creepily.
- Clementine Medical Hospital logo symbols look satanic?
- Some of the biggest unanswered questions are discussed in another article. Read here
16 Comments
Excellent review. My thoughts exactly.
You took it right from my heart. You must be a lady writer to admire Busola’s hair
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I don’t understand the ending part of the movie
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There are many loose story plots.
* Was Busola’s father connected to the Ile Owo myth?
* Why did Busola’s father kill his wife?
* What’s the significance of having in the final sequence where the main sacrifice was about to happen?
* What’s the connection between the two families that made the statue locate Busola even she met the Guy?
Let me just stop…. There are too many loose plots…..
Exactly my thoughts what’s the connection with Busola’s father, why was he present at the final rituals.
This movie is amazing. People who are confused about how the lead actress’ family got connected to the ever-young rituals of the Owo sons need to go back and watch the first ritual. In that ritual, the spirit picked the next lady (the lead actress).
Her father got promised healing and riches, so he was sold.
He was the only one who didn’t get scared when he felt the spirit in the house;
he knew that the necklace wasn’t ordinary when her daughter brought it in;
He knew about the guy and foretold his daughter that she would meet him;
He didn’t use his medications, knowing that he’ll get healed the closer his daughter got to becoming the sacrificial lamb.
After the mother died, a lot of people became confused. Here’s what happened:
She’s got the necklace on almost every time she’s in that dude’s house. We all know that the necklace makes her a puppet, so she couldn’t even decide to go back home, which made her get prepared for being used as fast as possible.
Other ladies from the dinner are probably the spirit of other ladies that have been used, or the demon foetus in them completed the cycle, so they “serve” each son. Notice how loyal and into the system they were, even without the necklace.
Also, remember that what saved her in the end what because her pocket anointing oil helped her puke out the demon, horn-like embryo, which made it impossible for her to complete the sacrificial lamb mode activating process, angering the wraith in return and killing all the perpetrators.
Now the ending:
Recall how the wooden deity returned to the old woman (joining other similar ones, the woman’s cunning laughter and her offer to make you live forever?
See that she wasn’t as old as she was when Owo approached her? Also, notice how her but was now a modern building?
It simply means that Owo and his sons weren’t the first to have taken similar offer, and they won’t be the last.
She’s lived through different generations and made such offers, and she always lives enough to witness how horribly they all died.
This movie sucks more than this review says. The writer had a vision but it was poorly written. And the director’s skill couldn’t save a badly written screenplay. I admire the filmmaker’s courage to give horror thriller a shot. It’ll help other (upcoming) filmmakers to learn what not to do wrong when making their own films. So it’s 3/10 for me.
Anon, hope you have your own film ready for review? Only those who have successfully executed what they are criticizing should criticize.
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