2024 was a year of box office records, more international milestones, and disruption in film distribution. Despite challenges like reduced funding from major streaming platforms and uncertainties, Nollywood remains resilient and poised for more milestones in 2025. 

Let’s call this a 2024 News Wrapped for the Nigerian Film Industry.

Box Office Records

  • A Tribe Called Judah (2023): In January 2024, Funke Akindele and Adeoluwa Owu’s A Tribe Called Judah (2023) became the first Nigerian film to surpass ₦1 billion in box office revenue, setting a new benchmark for the industry.
  • Malaika (2023): Toyin Abraham-led Malaika, directed by Steve Olufemi Sodiya, grossed over ₦300 million, surpassing her previous hit Ijakumo to claim a spot in the top 10 highest-grossing Nollywood films of all time.
  • Queen Lateefah (2024): Queen Lateefah, directed by Adeoluwa Owu and produced by Wumi Toriola, grossed ₦364 million within 10 weeks of its September release, earning a place among the top 10 highest-grossing films.
  • Everybody Loves Jenifa (2024): Funke Akindele and Tunde Laoye’s Everybody Loves Jenifa set a new opening day record with over ₦45 million on December 13. It crossed the ₦1 billion mark within 19 days, further cementing Akindele as Nollywood’s Box Office Queen.

Streaming and Film Distribution

  • Prime Video Funding Cuts: In January, Prime Video announced reduced funding for African and Middle Eastern projects to focus on their European Originals. While existing contracts will be honoured, this slowdown affected the commissioning of new Nigerian titles.
  • Showmax Relaunch: In February, Showmax relaunched with a revamped brand design and app, premiering 21 African original projects at the same period. This included Nigeria’s Flawsome S2, The Counsellor, and Igbo Apprenticeship System documentary series Freemen.
  • Nile Media Entertainment Launch: Moses Babatope’s Nile Media Entertainment kicked off its cross-regional distribution arm with Omoni Oboli’s Wives on Strike 3: The Uprising, premiering in Nigeria and showing in selected cinemas across Africa, Canada, Ireland, and the UK.
  • Netflix Alleged Exit Hysteria: Despite dropping should-be hits like Oloture: The Journey, Anikulapo: Rise of the Spectre, Lisabi, and the Femi Adebayo-led Seven Doors, Netflix had a noticeably less busy year. Things came to a head at the Zuma Film Festival in December, when industry veteran Kunle Afolayan suggested that the streamer might exit Nigeria, causing panic. However, Netflix clarified its commitment to Nigerian content, and Afolayan later explained that it was a misunderstanding, urging Nigerian filmmakers to focus on alternative channels of distribution. 
  • YouTube Boom: In 2024, Omoni Oboli, Bimbo Ademoye, Mercy Johnson, Ini Edo and other Nollywood names embraced YouTube for their film releases. Influencer Enioluwa Adeoluwa also made his debut as a film producer on the platform with the star-studded YA series, All of Us. 
  • Circuits Platform: December saw the launch of Circuits, a Nigerian virtual cinema streaming platform offering pay-per-view access to Nollywood titles, starting with films like Asiri Ade, The Weekend, Ruthless, Blacksmith: Alagbede, and Seven Doors.

International Recognition

More

Looking Ahead of 2025

All eyes are on how Nollywood will navigate its distribution woes. Funke Akindele is set for an early year release of her romantic offering Finding Me, Kunle Afolayan’s Recall is expected to hit the cinemas as the filmmaker dips toes into YouTube waters, Niyi Akinmolayan is going further into family entertainment with a slate of children programming for YouTube, more Yoruba epics are on the way, and there are more First Features films on the horizon (plus other works yet to be revealed).

While the Nigerian entertainment industry is projected to generate $14.82 billion in revenue at the end of this year, funding and distribution may present challenges. Still, Nollywood’s persistence provides a cushion for new milestones and more global recognition in 2025. 

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