At a 2022 Quramo Festival of Words panel about Nigeria’s emigration wave and its impact on the arts and industry space, I muttered (apparently out loud) about the need for honesty and nuance, which is very often ignored, especially in heated moments. The woman beside me agreed. She introduced herself as a nurse and an actor — an intersection that lingered with me. Later, I asked her to watch my bag for a moment. That was my first meeting with Onyinye Odokoro.