Wednesday, July 22nd, 2026
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Preview of January Movies and TV Shows Canal+ and Anakle’s Flying Whale Build 10-Film Television Partnership Homi TV Adds Nigerian Short Film ‘Ekún Ìyàwó’ to Its African Streaming Catalogue Exclusive: Big Cabal Media Sets July 25 Return for ‘Zikoko Life’ Second Edition, Reveals First-Look CJ Obasi is Busy AF: Every Announced Project From The Nigerian Filmmaker Nigerian Documentaries Audiences Should Look Forward to After Festivals Rixel Studios’ ‘Black Market’ to Attempt Guinness World Record with 50,000-Person Film Screening at Tafawa Balewa Square Amartei Armar’s Ghana-France Feature ‘Ego Reach We All’ Set for World Premiere at Locarno ‘Remi and Nneoma’ Review: A Nollywood Biblical Retelling Too Devoted to Become Its Own Story  ‘The Return of Omotara Johnson’ and Nollywood’s Legacy Characters (and Franchises) Golden Mhinutes Pictures’ ‘Idia’ Scores 4 TINFF 2026 Nominations, Including an Acting Nod for Linda Osifo

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Canal+ and Anakle’s Flying Whale Build 10-Film Television Partnership

Homi TV Adds Nigerian Short Film ‘Ekún Ìyàwó’ to Its African Streaming Catalogue

Exclusive: Big Cabal Media Sets July 25 Return for ‘Zikoko Life’ Second Edition, Reveals First-Look

CJ Obasi is Busy AF: Every Announced Project From The Nigerian Filmmaker

Nigerian Documentaries Audiences Should Look Forward to After Festivals

Rixel Studios’ ‘Black Market’ to Attempt Guinness World Record with 50,000-Person Film Screening at Tafawa Balewa Square

Amartei Armar’s Ghana-France Feature ‘Ego Reach We All’ Set for World Premiere at Locarno

‘Remi and Nneoma’ Review: A Nollywood Biblical Retelling Too Devoted to Become Its Own Story 

‘The Return of Omotara Johnson’ and Nollywood’s Legacy Characters (and Franchises)

Golden Mhinutes Pictures’ ‘Idia’ Scores 4 TINFF 2026 Nominations, Including an Acting Nod for Linda Osifo

New in Nigeria: Movies and TV Shows to Watch this July 2026

The Critics Company’s ‘Crocodile’ Selected for Locarno Open Doors 2026 as AFP Critics Prize Returns

Why Migration Keeps Returning to Nigerian Cinema

African Film Press Introduces Logline, a Daily Film-Guessing Challenge to Boost African Cinema Discovery

Adé Sultan Sangodoyin Reveals First Poster for ‘We Must Begin Again, Together’, Set for Afrika Film Festival Köln World Premiere (Exclusive)

Our Best Nigerian Films of 2026 (So Far)

‘On Different Grounds’ Review: Nollywood Veterans Elevate Mildred Okwo’s Uneven Romantic Comedy

Nigerian Government Launches Free Digital TV, Joining Recent Continental Efforts to Strengthen Creative Industries

Dika Ofoma’s ‘Kachifo’ Lands Norway’s Sørfond Grant, Adds DUOfilm as Co-Producer

Kobby Boateng’s Ghana–Swiss Co-Production ‘The God of Odds’ Enters Post-Production, Reveals New Teaser (Exclusive)

‘Blood Sisters’ Season 2 Review: EbonyLife’s Netflix Thriller Expands Its World of Excess, for Better and Worse

‘MKO’ Review: Ose Oyamendan Revisits the Wound of June 12 and Nigeria’s Greatest Political What-If (Sheffield DocFest 2026)

What ‘My Father’s Shadow’ Meant to the Anikulapo-Kuti Family at Private Screening

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