Sunday, November 8th, 2026
Menu
Breaking
Preview of January Movies and TV Shows Alternativa Film Festival Heads to Africa in 2027, Opens Submissions With $120,000 Prize Fund ‘Tele x Zikora’ Review: A University Romance Whose Greatest Strength Lies in the Future of Its Ensemble Cast Everything We Know About The New DStv and GOtv Packages in Nigeria TWF Productions Expands Short Film Slate With ‘In The Space of Desire’ Dika Ofoma’s ‘Tooth’ Selected for Inaugural Locarno and Winterthur African Short Film Programme New in Nigeria: Movies and TV Shows to Watch this November 2026 Film Africa 2026: Damilola Orimogunje’s ‘Dear Ajayi’ Roughly Examines Women’s Demands of Duty and the Desire for Freedom Nollywood Distilled: The Stories That Mattered This Week 19 Films to Have on Your Radar at AFRIFF 2026 Bamike Olawunmi Leads Romcom ‘The Perfect Spec’ as Gospel Singer Limoblaze Makes Lead Role Debut (Watch Trailer)

Top Posts

Alternativa Film Festival Heads to Africa in 2027, Opens Submissions With $120,000 Prize Fund

‘Tele x Zikora’ Review: A University Romance Whose Greatest Strength Lies in the Future of Its Ensemble Cast

Everything We Know About The New DStv and GOtv Packages in Nigeria

TWF Productions Expands Short Film Slate With ‘In The Space of Desire’

Dika Ofoma’s ‘Tooth’ Selected for Inaugural Locarno and Winterthur African Short Film Programme

New in Nigeria: Movies and TV Shows to Watch this November 2026

Film Africa 2026: Damilola Orimogunje’s ‘Dear Ajayi’ Roughly Examines Women’s Demands of Duty and the Desire for Freedom

Nollywood Distilled: The Stories That Mattered This Week

19 Films to Have on Your Radar at AFRIFF 2026

Bamike Olawunmi Leads Romcom ‘The Perfect Spec’ as Gospel Singer Limoblaze Makes Lead Role Debut (Watch Trailer)

Can Horror Exorcise Nollywood’s Budget & Funding Demons?

How AFRIFF’s Inaugural Film Market Led to Distribution Deals, Sales Representation and Cannes Opportunities

Lagos Fringe 2026 Film Programme Features 20+ Short Films, and Masterclasses

Why Toka McBaror Keeps Returning to Nollywood’s Most Difficult Stories

‘Black Market’ Review: Fatimah Binta Gimsay’s Feature Debut is a Very Nigerian Film for a Very Nigerian Situation

Sabi Arts Launches Annual Nigerian Playwright Prize With 1.4 Million Naira in Collaboration with Ouida Lagos

‘IDIA’ Earns Three AMAA Nominations as International Awards Recognition Continues

First Look: Pamilerin Ayodeji Leads Africa No Filter-Backed Nigerian Coming-of-Age Film ‘Madam Flow’ (EXCLUSIVE)

Nollywood Distilled: The Stories That Mattered This Week

AFRIFF 2026 Names ‘Lady’ Opening Film, Adds New Award Category Ahead of 15th Edition

Cheyi Okoaye’s ‘Cause, Effect & Maybe Consequences?’ Among Nigerian Winners at Durban FilmMart 2026

EyiyemiOlivia Rogbinyin Takes Lead in Don Ekama’s ‘Secondhand’

Korede Azeez and Hajarat Alli’s ‘Daddy Bear’ Unveils First Look, Sets November Community Screenings (EXCLUSIVE)

Close Menu
What Kept Me Up