Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. The epigraph at the pilot episode of Princess On A Hill poses […]
How can Black voices across continents reunify in a world shaped by colonialism and exploitation? This is the central question posed by BLKNWS: Terms and Conditions, an ambitious, experimental documentary by acclaimed visual artist Kahlil […]
We live in volatile times, many are quick to point out. But haven’t we always? There’s always a looming conflict on the horizon or one raging in the background, whether or not it receives media […]
In 2009, when flip phones were still a thing and the world hadn’t been taken over by Instagram and TikToks, Toyin Abraham released the first instalment in the Alakada franchise, which slithered its way into […]
From King of Thieves to Jagun Jagun, House of Gaa and Lisabi, Femi Adebayo is no stranger to the Yoruba language films that have enjoyed mainstream popularity in recent times. His onscreen presence is often […]
After the culmination of the Merry Men series last year (hopefully), Ayo Makun is back with another comedy thriller in The Waiter. Although AY says this film is different from his previous movies, between the […]
In a retrospective I wrote last year, I hailed Isoken as Jade Osiberu’s best film and praised how well it executed its premise: “[this is] a simple romantic story, Russian-dolled in another one about self-confidence, […]
From December 10th to 13th, at Alliance Française, Lagos, the S16 Film Festival marked its fourth edition to welcoming embrace. Four years since its genesis (ideated by the S16 Collective trio of Abba T. Makama, […]
The day after Everybody Loves Jenifa had its theatrical release, I went to my local cinema looking to purchase a ticket. The only thing the attendant had to offer, however, was disappointment: “Come back tomorrow. […]
Cinema is a specificity of vision. It’s an approach in which everything matters. It’s the polar opposite of generic or arbitrary and the result is as unique as a signature or a fingerprint. It isn’t […]
Let’s get this out of the way: Suspicion is a terrible title, especially for what turns out to be a good film. Apparently, the film started out as a short released in 2008, titled The […]
When the average Nigerian describes the personnel of the Nigerian military, they would most likely conjure up a fearful image of a camouflage-wearing brute, barking orders that are often reinforced with physical violence and the […]
The definition of a romcom is a well-documented and defined concept, parameters are often rigid and the story must follow a formula: hot boy plus beautiful girl plus almost fantastical meeting equals forever after. Dammy […]
Nollywoodweek: In the final scene of When Nigeria Happens, we see how submission has been tortured into Fagbo as he mindlessly marches with a group of men, shorn of his former locs and despair sat […]
NollywoodWeek: Nollywood has drawn sustained criticism for its reductive portrayals of women. This tendency emerges from a convergence of socio-cultural frameworks—particularly established patriarchal norms—and external narrative inheritances traceable to Classical Hollywood Cinema, privileging archetypal characterization […]
Nollywoodweek: There is a familiar thrill that runs through Batwing Unmasked. Not the thrill of a recognition of a hero (Africa has had many, and visual and comic artist Loyiso Mkize highlights Ororo as an […]
Nollywoodweek: There is a very good chance that Hussaini would break your heart. The eighteen-minute-long film opens in a mosque, where Hussaini, among a small congregation of men, bows in prayer. We then follow him […]
NollywoodWeek: As the internet has grown, we have found some familiarity with the machinations of the entertainment industry; people talk like record label executives, giving armchair expert advice on album rollouts and PR relationships and […]
NollywoodWeek: Halima (Darasimi Nadi, Obara’M) is not like every other child her age. This much is clear from the opening frames. She struggles with attention. It is easy to mistake her for a mute. The […]
NollywoodWeek: Romance, in Nigerian cinema, is often mistaken for ease. It is treated as a genre that requires little or no more than nearness and sentiment—two beautiful people, a mild obstacle, an expected resolution. Yet […]
In Fiyin Gambo’s The Other Side of The Bridge, class tensions find their outlet in the clashing bodies of Tobi Bakre and Demi Banwo in a story that follows two boxers from opposite backgrounds competing […]
Seeing the world through the eyes of adolescence feels different in a way that’s hard to ignore. It’s a perspective that hasn’t been tainted by the weight of adulthood yet, where things are still a […]
