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Breaking
Preview of January Movies and TV Shows
Creator-Showrunner Roye Okupe on Staying True to Iyanu’s Vision as It Lands on Showmax
Principal Photography Wraps Up on Orire Nwani’s Mystery Thriller ‘Baptism’
‘Wura’ Cast Says Goodbye to “Unforgettable” Showmax Series
Damilola Orimogunje’s ‘Dear Ayayi’ Begins Principal Photography, Announces Key Cast
Five Nigerian Animation Projects Head to Annecy’s Mifa 2025 under Hidden Gems Showcase
‘My Mother is a Witch’ Review: Mercy Aigbe and Efe Irele Rise to the Occasion in a Familial Negotiation of Trauma And Healing
Nnamdi Kanaga’s ‘Water Girl’ Teases Desperation & Spirituality Rooted in Igbo Mythology (Watch Teaser)
Dika Ofoma and Bluhouse Studios’ ‘Kachifo’ Selected for Locarno’s Open Doors
‘Red Circle’: How Nora Awolowo is Playing The Collaborative Game with Rixel Studios
New in Nigeria: Movies and TV Shows to Watch this June 2025
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Top Posts
Creator-Showrunner Roye Okupe on Staying True to Iyanu’s Vision as It Lands on Showmax
June 11, 2025
Principal Photography Wraps Up on Orire Nwani’s Mystery Thriller ‘Baptism’
June 11, 2025
‘Wura’ Cast Says Goodbye to “Unforgettable” Showmax Series
June 11, 2025
Damilola Orimogunje’s ‘Dear Ayayi’ Begins Principal Photography, Announces Key Cast
June 11, 2025
Five Nigerian Animation Projects Head to Annecy’s Mifa 2025 under Hidden Gems Showcase
June 10, 2025
‘My Mother is a Witch’ Review: Mercy Aigbe and Efe Irele Rise to the Occasion in a Familial Negotiation of Trauma And Healing
June 9, 2025
Nnamdi Kanaga’s ‘Water Girl’ Teases Desperation & Spirituality Rooted in Igbo Mythology (Watch Teaser)
June 6, 2025
Dika Ofoma and Bluhouse Studios’ ‘Kachifo’ Selected for Locarno’s Open Doors
June 5, 2025
‘Red Circle’: How Nora Awolowo is Playing The Collaborative Game with Rixel Studios
June 5, 2025
New in Nigeria: Movies and TV Shows to Watch this June 2025
June 4, 2025
NTA Launches Original Content Push, Teases Revival of Classics
June 2, 2025
FAME Week Africa 2025 Returns to Cape Town as a Launchpad for the Continent’s Creative Future (Registration Open)
June 2, 2025
Everyone Has Their Guesses About the Netflix Geo-Blocking, on Nollywood Film Club in May
May 30, 2025
From ‘Araromire’ to ‘My Father’s Shadow’: A 21st Century Retrospective Peeling The Layers of Nigerian Cinema at Int’l Festivals
May 30, 2025
Stingy Igbo Man Makes it to Hollywood—That’s Not Good
May 30, 2025
The Annual Film Mischief 2025 Themed ‘Reclaiming Self’ to Embrace Wellness and Identity for Festival Edition
May 29, 2025
10 Most Anticipated Hollywood Sequels Of 2025
May 29, 2025
‘Suky’ Review: The Loud Silence of Ola Cardoso’s Debut
May 28, 2025
‘Ori Rebirth’ Review: Uneasy Lies the Head With a Stronger Inner Head
May 27, 2025
NYAFF 2025: Dika Ofoma’s Films Are Deeply Ours But Universally Human (Interview)
May 27, 2025
Akinola Davies Jr’s ‘My Father’s Shadow’ Receives Caméra d’Or Special Mention at Cannes
May 24, 2025
NYAFF 2025: ‘The Fisherman’ Review
May 22, 2025
National Film Institute Set for Major Upgrade in Partnership Between Chocolate City and FG
May 21, 2025
TV Shows
New in Nigeria: Movies and TV Shows to Watch this May 2025
May 2, 2025
AMVCA 2025 Predictions: WKMUp Editors vs Audience
April 29, 2025
Our 23 Most Anticipated Nollywood Titles of 2025
April 21, 2025
Therapy Meets The Absurd in First Teaser For Ceero World’s ‘The Anomalous’, Starring Keira Hewatch And Michael Uchegbu
April 21, 2025
‘Baby Farm’ Review: Might Just Be the Best Thing to Come Out of the EbonyLife-Netflix Deal
April 9, 2025
New in Nigeria: Movies and TV Shows to Watch this April 2025
April 5, 2025
New in Nigeria: Movies and TV Shows to Watch this March 2025
March 5, 2025
‘Princess On A Hill’ Review: Onyinye Odokoro Portrays A Two-Faced Morally-Conflicted Heroine in Showmax’s Work-Place Drama
February 5, 2025
New in Nigeria: Movies and TV Shows to Watch this February 2025
February 4, 2025
New in Nigeria: Movies and TV Shows to Watch this January 2025
January 9, 2025
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