Say Who Die is a film that is constantly moving. The film starts mid-movement: Omon Ighalo (Meyi Abu) is preparing for her trip to the United Kingdom on a scholarship, and her twin sister, Odion, […]
Venice: Saint Simeon, written and directed by Olubunmi Ogunsola, begins with a last supper reminiscent scene. There is food, there are disciples of the church, and just like in the gospel, there’s a secret —this […]
PLS RT begins with Kasope Briggs captured in a wooden crate; frightened, unaware of her location and begging to be released. She brings out her phone to make a video to try and upload to […]
BlackStar: In the Rashida Seriki-written and directed short film, nostalgia is a vehicle both literally and figuratively. The couple drive through Lagos in a vintage Mercedes Benz revisiting the past through symbolic stops like the […]
A bond that has existed across time and media, strengthened by adversity and a world that is often against their existence, is female friendship. This forms the core of What No One Knows. The dynamic […]
The lore of Madam Koi Koi is an ever mutating one. First gaining root in minds during secondary school, the story evolves in detail with every telling. Sometimes she is a woman murdered by students, […]
When you build mystery in a film, there is an important balance between drawing in your audience with questions and never showing your hand too early. You navigate with the cinematic equivalent of a poker […]
There is a tug of war, a push and pull like the tide of an ocean, that exists at the centre of The Fisherman, the feature debut by Zoey Martinson. It swings between youth and […]
God’s Wife opens with the first of many impactful moments. A forlorn woman dressed in white while her hair is aggressively cut with a pair of scissors as two women sit on her sides casting […]
Olumotan: The Trial of the Storyteller begins with a certain kind of awareness. First, there seems to be a breaking of the fourth wall by the storyteller played by Sola Sobowale, and then a multicultural […]
