The lore of Madam Koi Koi is an ever mutating one. First gaining root in minds during secondary school, the story evolves in detail with every telling. Sometimes she is a woman murdered by students, […]
When you build mystery in a film, there is an important balance between drawing in your audience with questions and never showing your hand too early. You navigate with the cinematic equivalent of a poker […]
There is a tug of war, a push and pull like the tide of an ocean, that exists at the centre of The Fisherman, the feature debut by Zoey Martinson. It swings between youth and […]
God’s Wife opens with the first of many impactful moments. A forlorn woman dressed in white while her hair is aggressively cut with a pair of scissors as two women sit on her sides casting […]
Olumotan: The Trial of the Storyteller begins with a certain kind of awareness. First, there seems to be a breaking of the fourth wall by the storyteller played by Sola Sobowale, and then a multicultural […]
In The Fire and The Moth, the western town it is set in is presented with a sweeping calmness. There are gorgeous aerial shots and expert framings that keep the town rested but not docile. […]
The South African and Nigerian love story in Soft Love is put into motion once Zandi`’s groom runs away on the morning of their wedding, setting up a tale of romance, friendship and family that […]
A few minutes into The Screen Test, David, the actor, meets a director at his house. It’s quickly obvious that the film has laid the foundation for a story that could veer into offensive territory […]
A little over halfway into Shall We Meet Tonight, a short film written and directed by Wapah Ezeigwe, there is a quietly charged scene. The main character, Adaora (Goodness Emmanuel), is standing still, wearing just […]
Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. One of the last scenes in The Stone Drew Ripples features the main character […]
