The Film Rats Club, a community of filmmakers and film enthusiasts, took a leap into more in the film world by organizing a film festival. The inaugural edition of The Annual Film Mischief (TAFM) began […]
Hypocrisy flying around like wildfire. A better title for this episode would be “Hypocrisy” but I do get why the title ‘Phone Swap’ was chosen for episode four of Ndani TV’s series Love Like This. […]
TNC Africa, the year-old digital-focused TV production company, continues its meteoric growth as it’s just been recognised by one of the most prestigious entertainment awards in Africa, the AMVCA (Africa Magic Viewers Choice Awards) during […]
Iyebiye Adeitan, popularly known as Kaizen Kreativ, is a Nigerian creative visual designer and illustrator. A graduate of Federal University Oye Ekiti, (FUOYE) with a BA in Theatre and Media Arts, Kaizen Kreativ has grown what […]
Akorede Azeez is a Nigerian filmmaker, one of the six finalists of the Netflix-UNESCO short film competition. She has been a Film Rats Club member for two years, a space with like-minded filmmakers and enthusiasts, […]
Olakunle Martini Akande answers our questions about his work and role in Nollywood. Working as a finishing editor for AfricaMagic’s Venge (TV show) and an editor for Taiwo Egunjobi’s feature film, In Ibadan, one of […]
Working as a co-producer on the most decorated Nollywood film of 2021, Eyimofe— a cheese pick at The Annual Film Mischief— Adé Sultan Sangodoyin shares stage-by-stage lessons that participating filmmakers can learn from the Esiri […]
No Rebounds yet, but definitely a bit of fire. Upon the release of the third episode of the Ndani TV series, Love Like This, with the title “Rebound”, I had a little leap of joy […]
Taiwo Egunjobi, the director of In Ibadan and All Na Vibes, is the director of The Annual Film Mischief that will run from Mar. 17- 20. Serving as the inaugural director of The Annual Film […]
Time travel movies have been around for ages and it is not just about traveling back in time to portray just the science aspect of that world, but mostly to right wrongs in the past […]
