Saturday, October 4th, 2025

‘Say Who Die’ Review: A Kinetic Comedy Crime Film That Lets Go Off Nollywood’s Grand Political and Million-Dollar Excesses

Say Who Die is a film that is constantly moving. The film starts mid-movement: Omon Ighalo (Meyi Abu) is preparing for her trip to the United Kingdom on a scholarship, and her twin sister, Odion, […]

Read More

‘My Father’s Shadow’ Review: Akinola Davies Jr’s Devastating, Defiant Portrait of Delay and Disappointment for Family and Country

Cinema seems more suited to recollection than any other art form. Unlike photography, which deals in still images, film unfolds across time, evoking more powerfully the eerie feeling of being pulled into the past and […]

Read More

‘Over the Bridge’ Review: Tolu Ajayi’s Impressionistic Portrait of a Corporate Man Undone by Ambition

Everyone speaks in Tolu Ajayi’s Over the Bridge: the characters with their voices, and the rivers, the fishes, the music with their own voice. No direct communication passes between them, yet meaning emerges all the […]

Read More

‘The Serpent’s Gift’ Review: Kayode Kasum’s Latest Cultural Offering Blurs Between Authenticity and Spectacle

When Kayode Kasum released Afamefuna: An Nwa Boi Story in 2023, it sparked a cultural moment, particularly among Igbo audiences who celebrated its homage to the Igbo apprenticeship system (nwa boi), a notable concept of […]

Read More
What Kept Me Up