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Preview of January Movies and TV Shows Orire Nwani and Tomi Folowosele Selected for Red Sea Series Lab with Supernatural Thriller Project James Omokwe’s ‘Osamede’ Set for 2025 Cannes Market Screening Sharon Rotimi Discusses ‘Finding Me’, ‘The Artifact’ and ‘The Yard’ Official Selection for NollywoodWeek 2025 Revealed: See the Full Lineup New Sci-Fi Web Series ‘Cause, Effect & Maybe Consequences?’ Brings Absurd Time Travel and Existential Chaos to Screens Our 23 Most Anticipated Nollywood Titles of 2025 Therapy Meets The Absurd in First Teaser For Ceero World’s ‘The Anomalous’, Starring Keira Hewatch And Michael Uchegbu  ‘The Stone Drew Ripples’ Review: Faith, Family, and Fraud Collide in an Uneven Drama MIP Africa 2025 Welcomes Filmmaker Submissions for Its Project Pitch Platform Wizkid Documentary ‘Wizkid: Long Live Lagos’ to World Premiere at Tribeca 2025

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Orire Nwani and Tomi Folowosele Selected for Red Sea Series Lab with Supernatural Thriller Project

James Omokwe’s ‘Osamede’ Set for 2025 Cannes Market Screening

Sharon Rotimi Discusses ‘Finding Me’, ‘The Artifact’ and ‘The Yard’

Official Selection for NollywoodWeek 2025 Revealed: See the Full Lineup

New Sci-Fi Web Series ‘Cause, Effect & Maybe Consequences?’ Brings Absurd Time Travel and Existential Chaos to Screens

Our 23 Most Anticipated Nollywood Titles of 2025

Therapy Meets The Absurd in First Teaser For Ceero World’s ‘The Anomalous’, Starring Keira Hewatch And Michael Uchegbu 

‘The Stone Drew Ripples’ Review: Faith, Family, and Fraud Collide in an Uneven Drama

MIP Africa 2025 Welcomes Filmmaker Submissions for Its Project Pitch Platform

Wizkid Documentary ‘Wizkid: Long Live Lagos’ to World Premiere at Tribeca 2025

‘Labake Olododo’ Review: Stranger Facial Hair, Longer Incantations, Thinner Stories

‘Makemation’ Official Trailer Inspires with A Tale Of Triumph Through Tech

Akinola Davies Jr’s ‘My Father Shadow’ Heads To Cannes

Uzoamaka is Entering Her Power Era

Wapah Ezeigwe’s ‘Shall We Meet Tonight’ Examines Queer Love and Marital Constraint in Contemporary Nigeria

‘Baby Farm’ Review: Might Just Be the Best Thing to Come Out of the EbonyLife-Netflix Deal

How Can African Short Films Become As Widely Spread As Skits?

Nollywood Film Club Asks, “What’s the Future of Nollywood on YouTube Like?”

FAME Shorts Film Festival 2025 Now Open for Submissions

New in Nigeria: Movies and TV Shows to Watch this April 2025

After a Netflix-Focused Era, Kunle Afolayan Brings ‘Recall’ to the Big Screen

Short Film Review: Emily Nkanga’s ‘Yam And Egg’ is a Subtle Invitation to a Private Grief

Kaelo Iyizoba Selected for Sundance Institute Inaugural Cultural Impact Residency

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