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Breaking
Preview of January Movies and TV Shows
Nnamdi Kanaga’s ‘Water Girl’ Teases Desperation & Spirituality Rooted in Igbo Mythology (Watch Teaser)
Dika Ofoma and Bluhouse Studios’ ‘Kachifo’ Selected for Locarno’s Open Doors
‘Red Circle’: How Nora Awolowo is Playing The Collaborative Game with Rixel Studios
New in Nigeria: Movies and TV Shows to Watch this June 2025
NTA Launches Original Content Push, Teases Revival of Classics
FAME Week Africa 2025 Returns to Cape Town as a Launchpad for the Continent’s Creative Future (Registration Open)
Everyone Has Their Guesses About the Netflix Geo-Blocking, on Nollywood Film Club in May
From ‘Araromire’ to ‘My Father’s Shadow’: A 21st Century Retrospective Peeling The Layers of Nigerian Cinema at Int’l Festivals
Stingy Igbo Man Makes it to Hollywood—That’s Not Good
The Annual Film Mischief 2025 Themed ‘Reclaiming Self’ to Embrace Wellness and Identity for Festival Edition
Top Posts
Nnamdi Kanaga’s ‘Water Girl’ Teases Desperation & Spirituality Rooted in Igbo Mythology (Watch Teaser)
June 6, 2025
Dika Ofoma and Bluhouse Studios’ ‘Kachifo’ Selected for Locarno’s Open Doors
June 5, 2025
‘Red Circle’: How Nora Awolowo is Playing The Collaborative Game with Rixel Studios
June 5, 2025
New in Nigeria: Movies and TV Shows to Watch this June 2025
June 4, 2025
NTA Launches Original Content Push, Teases Revival of Classics
June 2, 2025
FAME Week Africa 2025 Returns to Cape Town as a Launchpad for the Continent’s Creative Future (Registration Open)
June 2, 2025
Everyone Has Their Guesses About the Netflix Geo-Blocking, on Nollywood Film Club in May
May 30, 2025
From ‘Araromire’ to ‘My Father’s Shadow’: A 21st Century Retrospective Peeling The Layers of Nigerian Cinema at Int’l Festivals
May 30, 2025
Stingy Igbo Man Makes it to Hollywood—That’s Not Good
May 30, 2025
The Annual Film Mischief 2025 Themed ‘Reclaiming Self’ to Embrace Wellness and Identity for Festival Edition
May 29, 2025
10 Most Anticipated Hollywood Sequels Of 2025
May 29, 2025
‘Suky’ Review: The Loud Silence of Ola Cardoso’s Debut
May 28, 2025
‘Ori Rebirth’ Review: Uneasy Lies the Head With a Stronger Inner Head
May 27, 2025
NYAFF 2025: Dika Ofoma’s Films Are Deeply Ours But Universally Human (Interview)
May 27, 2025
Akinola Davies Jr’s ‘My Father’s Shadow’ Receives Caméra d’Or Special Mention at Cannes
May 24, 2025
NYAFF 2025: ‘The Fisherman’ Review
May 22, 2025
National Film Institute Set for Major Upgrade in Partnership Between Chocolate City and FG
May 21, 2025
NYAFF 2025: ‘God’s Wife’ Review (Short Film)
May 20, 2025
A New Chapter for Nollywood: BRS Studios Unveils 2025 Film Slate
May 20, 2025
How MultiChoice Talent Factory is Contributing to the Nigerian Film Industry
May 20, 2025
Daniel Etim Effiong’s Directorial Debut ‘The Herd’ to Screen at Cannes Marché du Film Panel
May 19, 2025
Toyosi Etim-Effiong Joins Global Voices at NIFS Cannes 2025 to Spotlight Nollywood’s Future
May 19, 2025
‘The Legend of The Vagabond Queen of Lagos’ Wins Jury Prize at NollywoodWeek 2025
May 19, 2025
TV Shows
New in Nigeria: Movies and TV Shows to Watch this May 2025
May 2, 2025
AMVCA 2025 Predictions: WKMUp Editors vs Audience
April 29, 2025
Our 23 Most Anticipated Nollywood Titles of 2025
April 21, 2025
Therapy Meets The Absurd in First Teaser For Ceero World’s ‘The Anomalous’, Starring Keira Hewatch And Michael Uchegbu
April 21, 2025
‘Baby Farm’ Review: Might Just Be the Best Thing to Come Out of the EbonyLife-Netflix Deal
April 9, 2025
New in Nigeria: Movies and TV Shows to Watch this April 2025
April 5, 2025
New in Nigeria: Movies and TV Shows to Watch this March 2025
March 5, 2025
‘Princess On A Hill’ Review: Onyinye Odokoro Portrays A Two-Faced Morally-Conflicted Heroine in Showmax’s Work-Place Drama
February 5, 2025
New in Nigeria: Movies and TV Shows to Watch this February 2025
February 4, 2025
New in Nigeria: Movies and TV Shows to Watch this January 2025
January 9, 2025
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