Reviews

‘My Mother is a Witch’ Review: Mercy Aigbe and Efe Irele Rise to the Occasion in a Familial Negotiation of Trauma And Healing
“You’re a witch!” Imuetiyan, the film’s protagonist, blurts out during an emotionally charged argument with her mother (Mercy Aigbe). Unfazed by this accusation, her mother responds wryly that she is indeed a witch and she […]

‘Suky’ Review: The Loud Silence of Ola Cardoso’s Debut
Suky opens in a boxing ring, where Adigun (Tobi Bakre) is instructing a group of young fighters with the assured discipline of a man who has survived too much and seen too little change. Among […]

‘Ori Rebirth’ Review: Uneasy Lies the Head With a Stronger Inner Head
Ori Rebirth, a reboot of the beloved Ori (2004), brings back Muyiwa Ademola as Bisade in an ambitious outing that painfully untethers itself from the Yoruba classic in crucial spots. With its reflective meditation on […]

NYAFF 2025: ‘The Fisherman’ Review
There is a tug of war, a push and pull like the tide of an ocean, that exists at the centre of The Fisherman, the feature debut by Zoey Martinson. It swings between youth and […]

NYAFF 2025: ‘God’s Wife’ Review (Short Film)
God’s Wife opens with the first of many impactful moments. A forlorn woman dressed in white while her hair is aggressively cut with a pair of scissors as two women sit on her sides casting […]

NollywoodWeek (NOW) Film Festival 2025: ‘Olumotan’ Review (Closing Film)
Olumotan: The Trial of the Storyteller begins with a certain kind of awareness. First, there seems to be a breaking of the fourth wall by the storyteller played by Sola Sobowale, and then a multicultural […]

NollywoodWeek (NOW) Film Festival 2025: ‘Out in The Darkness’ Review
In For Maria: Ebun Pataki (2020), a pediatrician tells new mother Derin, “Babies cry. It’s what they do,” when she questions her infant’s incessant tears. The cries disrupt Derin’s sleep, heighten her panic, and fray […]

NollywoodWeek (NOW Film Festival) 2025: ‘The Fire and The Moth’ Review
In The Fire and The Moth, the western town it is set in is presented with a sweeping calmness. There are gorgeous aerial shots and expert framings that keep the town rested but not docile. […]
News

Principal Photography Wraps Up on Orire Nwani’s Mystery Thriller ‘Baptism’
Conceptified Media and One Child Grace Studios have completed principal photography on Baptism, a mystery thriller directed by Orire Nwani, known for his work on Prime Video’s Grind, the AMVCA-nominated short film T’egbon T’aburo, and […]

Damilola Orimogunje’s ‘Dear Ayayi’ Begins Principal Photography, Announces Key Cast
After nearly a decade in development, principal photography has officially begun on Dear Ajayi, the eagerly anticipated sophomore feature from Damilola E. Orimogunje, who became known for his emotionally arresting 2020 debut, For Maria Ebun […]

Five Nigerian Animation Projects Head to Annecy’s Mifa 2025 under Hidden Gems Showcase
Nigeria’s animation industry is set for a global spotlight at the 2025 Annecy International Animation Film Festival’s market, Mifa, with five diverse projects selected for the Hidden Gems: Global Stories from Nigeria showcase. Supported by […]

Nnamdi Kanaga’s ‘Water Girl’ Teases Desperation & Spirituality Rooted in Igbo Mythology (Watch Teaser)
A new supernatural drama rooted in Nigerian mythology, Water Girl, is preparing for its upcoming release with the unveiling of a teaser (watch below). The feature film was written and directed by Nnamdi Kanaga, a […]

Dika Ofoma and Bluhouse Studios’ ‘Kachifo’ Selected for Locarno’s Open Doors
Dika Ofoma and producer Blessing Uzzi of Bluhouse Studios have been selected for the 2025 Open Doors Projects programme at the Locarno Film Festival, with their upcoming feature Kachifo (Till the Morning Comes) that has […]

NTA Launches Original Content Push, Teases Revival of Classics
After years of reduced fictional output, recent moves by the Nigerian Television Authority (NTA) suggest a renewed effort to re-establish itself. Following announcements by Executive Director of Programmes, Tari Taylaur, NTA has rolled out a […]

FAME Week Africa 2025 Returns to Cape Town as a Launchpad for the Continent’s Creative Future (Registration Open)
From selling a TV series, licensing music, or launching a fashion brand, FAME Week is where careers can be launched and creative work finds its audience, locally and internationally. The 2025 edition, returning to Cape […]

Everyone Has Their Guesses About the Netflix Geo-Blocking, on Nollywood Film Club in May
Since Netflix slowed its operations in Nigeria, there has still been no official word on their long-term strategy or future plans. So far, all we’ve gotten is a single statement last December to quell the […]
Essays

The 8 Best Nollywood Movies of 2023
What a year! Our best Nollywood films of the year touch important subjects and all find a way to weave their narratives around crucial topics in Nigerian society. Whether it has opted for the comedy […]

Theatre’s Legacy in Nollywood: Exploring The Stage-to-Screen Bridge Through the Eyes of 7 Actors
19th-century playwright Oscar Wilde once said: “I regard the theatre as the greatest of all art forms; the most immediate way in which a human being can share with another the sense of what it […]

“The Origin: Madam Koi-Koi is a Breath of Fresh Air” and 13 Key Takeaways from Nollywood Film Club in November
Nollywood Film Club is a diverse haven for criticism, ideas, and global discourse of Nigerian films. At the heart of the club is a community dedicated to deconstructing the latest high-profile Nigerian streaming releases, sparking […]

‘Bank Alert’ Review: The Entertaining Chaos of the Okey Bakassi-Led Variant on the Newfound Wealth Trope
Bank Alert is a comedy drama with an intriguing storyline. The financially distressed protagonist receives a whopping sum of money in his bank account which leads to trouble when the supposed owner comes for him. […]

‘Egun’ Review: Psychological Thriller About Corporate Greed is One of the Better Projects From This Year
Barely thirty minutes into Ègún, I texted my editor: “I wonder who wrote it.” And I meant that in a good way. I had gone into the film completely blind, without any idea of the […]