AFRIFF: Music exists at the core of Uche Aguh’s Dynamite, a short film in which a music star`s facade of…
Browsing: Reviews
AFRIFF: To weave a fictionalized past and present into a working tapestry of film is a test of many aspects…
AFRIFF: To adapt a book is a struggle of ideas, to adapt a Soyinka book is a struggle of ideas…
Hijack ‘93 opens with “This film is a fictionalised interpretation of actual events”. When a film begins with such a…
Anger is a powerful catalyst for change. A teenage girl’s forced marriage to an older man sparks outrage among a…
When the lens of Clarence Peters isn’t capturing stunning music videos, it periodically gives a shot at Nollywood. A visual…
Lísàbí: The Uprising is an ambitious attempt to bring the story of Lísàbí Agbongbo Akala, the legendary Yoruba hero, to…
In Charlotte Mew’s 1912 poem “The Farmer’s Bride,” a farmer muses over his marriage to a much younger maiden who…
There seems to be a gap of information in the Nigerian film space, with multiple news publications describing When Love…
Daniel Oriahi’s Get-Out-esque, Tribeca returnee, The Weekend, is the latest Neo-Nollywood horror submission. Written by Egbemawei Dimiyei Sammy, Vanessa Kanu,…