Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. The epigraph at the pilot episode of Princess On A Hill poses […]
How can Black voices across continents reunify in a world shaped by colonialism and exploitation? This is the central question posed by BLKNWS: Terms and Conditions, an ambitious, experimental documentary by acclaimed visual artist Kahlil […]
We live in volatile times, many are quick to point out. But haven’t we always? There’s always a looming conflict on the horizon or one raging in the background, whether or not it receives media […]
In 2009, when flip phones were still a thing and the world hadn’t been taken over by Instagram and TikToks, Toyin Abraham released the first instalment in the Alakada franchise, which slithered its way into […]
From King of Thieves to Jagun Jagun, House of Gaa and Lisabi, Femi Adebayo is no stranger to the Yoruba language films that have enjoyed mainstream popularity in recent times. His onscreen presence is often […]
After the culmination of the Merry Men series last year (hopefully), Ayo Makun is back with another comedy thriller in The Waiter. Although AY says this film is different from his previous movies, between the […]
In a retrospective I wrote last year, I hailed Isoken as Jade Osiberu’s best film and praised how well it executed its premise: “[this is] a simple romantic story, Russian-dolled in another one about self-confidence, […]
From December 10th to 13th, at Alliance Française, Lagos, the S16 Film Festival marked its fourth edition to welcoming embrace. Four years since its genesis (ideated by the S16 Collective trio of Abba T. Makama, […]
The day after Everybody Loves Jenifa had its theatrical release, I went to my local cinema looking to purchase a ticket. The only thing the attendant had to offer, however, was disappointment: “Come back tomorrow. […]
Cinema is a specificity of vision. It’s an approach in which everything matters. It’s the polar opposite of generic or arbitrary and the result is as unique as a signature or a fingerprint. It isn’t […]
Let’s get this out of the way: Suspicion is a terrible title, especially for what turns out to be a good film. Apparently, the film started out as a short released in 2008, titled The […]
When the average Nigerian describes the personnel of the Nigerian military, they would most likely conjure up a fearful image of a camouflage-wearing brute, barking orders that are often reinforced with physical violence and the […]
I began watching The Lost Days last Saturday inside an Uber while stuck in an infuriating traffic with a sexist driver who kept yelling curses at the female driver in front of him. The day […]
A bond that has existed across time and media, strengthened by adversity and a world that is often against their existence, is female friendship. This forms the core of What No One Knows. The dynamic […]
It can be daunting trying to follow every bit of news in the wake of a tragedy. It can be downright Herculean trying to separate legitimate information from baseless sentiment, or worse, rumours and propaganda. […]
The lore of Madam Koi Koi is an ever mutating one. First gaining root in minds during secondary school, the story evolves in detail with every telling. Sometimes she is a woman murdered by students, […]
When you build mystery in a film, there is an important balance between drawing in your audience with questions and never showing your hand too early. You navigate with the cinematic equivalent of a poker […]
“You’re a witch!” Imuetiyan, the film’s protagonist, blurts out during an emotionally charged argument with her mother (Mercy Aigbe). Unfazed by this accusation, her mother responds wryly that she is indeed a witch and she […]
Suky opens in a boxing ring, where Adigun (Tobi Bakre) is instructing a group of young fighters with the assured discipline of a man who has survived too much and seen too little change. Among […]
Ori Rebirth, a reboot of the beloved Ori (2004), brings back Muyiwa Ademola as Bisade in an ambitious outing that painfully untethers itself from the Yoruba classic in crucial spots. With its reflective meditation on […]
There is a tug of war, a push and pull like the tide of an ocean, that exists at the centre of The Fisherman, the feature debut by Zoey Martinson. It swings between youth and […]
God’s Wife opens with the first of many impactful moments. A forlorn woman dressed in white while her hair is aggressively cut with a pair of scissors as two women sit on her sides casting […]
