Reviews

Film Mischief 2025: ‘Beyond Olympic Glory’ Review (Short Documentary)
Film Mischief: Shedrack Salami’s Beyond Olympic Glory opens with Cynthia Ogunsemilore walking through the streets in her sports attire. Her voice rises gently: “People in the community were saying stuff like, ‘As a girl, why […]

Film Mischief 2025: ‘Wrong Way’ Review (Short Film)
Film Mischief: Wrong Way is a Ghanaian parable about guilt, consequence, and the cruel nature of fate. The film opens with a phone conversation between Manan, a young man, and his mother. The mother’s voice […]

Film Mischief 2025: ‘Tell it No More’ Review (Short Film)
Film Mischief: Stories, ideas and instructions passed down from generations continue to shape our present and future. We often don’t know their origins—my mother told me and her mother told her so you must hear […]

Film Mischief 2025: ‘Cause, Effect, and Maybe Consequences?’ Review (Short Film)
Film Mischief: Even among the independent outings in Nigerian cinema, coming across a film described as a comedic sci-fi short is rare. Titled Cause, Effect, and Maybe Consequences?, the story is an extended interaction between […]

Film Mischief 2025: ‘Fofo Means Father’ Review (Short Documentary)
Film Mischief: Denzel Owoo’s Fofo Means Father opens with calm images of nature: of tall trees, a stretch of green field, and then the structure of a tall man standing in the frame. The air […]

Film Mischief 2025: ‘Behind The Smile’ Review (Short Film)
Film Mischief: There’s a scene in Behind the Smile towards its end where the colour palette of one of the main characters is imposed on the second character in a clumsy bait and switch move […]

BFI London Film Festival 2025: ‘One Woman One Bra’ Review
BFI: Vincho Nchogu‘s debut feature One Woman One Bra is a sardonic examination of intersecting failures that ensnare vulnerable women in rural Africa: archaic patriarchal systems, predatory NGO culture, and the performative benevolence of white […]

BFI London Film Festival 2025: ‘Dust To Dreams’ Review (Short Film)
BFI: Idris Elba’s directorial effort Dust to Dreams, produced by Mo Abudu for EbonyLife Films, arrives with a premise brimming with potential. In execution, however, the acclaimed actor’s 20-minute short film amounts to little more […]
News

With Ticket Prices Rising, Community Cinema Could Be Nollywood’s Affordable Alternative
August 2025 witnessed a notable collaboration between Fusion Intelligence Technologies and Café One to launch FilmHub, a community cinema initiative. Screened at the multi-city event was Nora Awolowo-produced Red Circle across Café One locations in […]

Kenyan-Nigerian Film ‘One Woman One Bra’ Wins 2025 Sutherland Award at BFI London Film Festival
Kenyan-Nigerian co-production One Woman One Bra has clinched the 2025 Sutherland Award for Best First Feature at the BFI London Film Festival, which concluded on 19 October. The Jury members of Kibwe Tavares, Anja Fröhner […]

Judith Audu and Uyoyou Adia Reunite on New Afrobeats Drama ‘EVI’, Eyeing 2026 Release
The list of frequent collaborators in Nollywood continues to grow as more filmmakers find creative partners they trust. Among the latest additions to frequent director-producer collaborators are Judith Audu and Uyoyou Adia. They return on […]

AMAA 2025 Nominations: ‘Lisabi’, ‘3 Cold Dishes’, ‘Freedom Way’ Lead The Line for Nigeria
In a surprise event on October 11 in Lagos, the nominations for this year’s Africa Movie Academy Awards were announced to an audience of some press members and several industry veterans. Notably, there are quite […]

10 Key Details About ‘Osamede’, the Edo Epic Arriving October 2025
Gold Lilies Productions’ upcoming historical epic Osamede arrives in Nigerian cinemas on October 17, 2025. Directed by James Omokwe, the film brings the legendary Benin Kingdom to the big screen with a heroine (played by […]

‘Cock Crow At Dawn’ Remake: Writers’ Room Opens in October, Shooting to Begin in Jos in 2026
NTA, Natives Filmworks, and Innovative Television Kontent (ITK) have signed a deal to remake Cock Crow At Dawn, the classic Nigerian TV series from the 1980s. The deal announces an initial 104-episode order and is […]

The Filmjoint Awards 2026: Wapah Ezeigwe’s ‘Shall We Meet Tonight’ Earns Most Nominations (See Full List)
The Filmjoint Awards have announced nominations for their 2026 edition, recognising achievements in short filmmaking. At the press briefing held last Friday, Oct 3, the Filmjoint project manager, Sonia John, noted that a total of […]

Nollywood Titles Available on Kava at Launch
Kava arrived globally in August 2025 as a streaming platform conceived from a collaboration between Inkblot Studios and Filmhouse Group. The platform is currently offering a subscription service across smart TVs, mobile devices, tablets and […]
Essays

‘The Photograph’ Review: LaKeith Stanfield and Issa Rae are Unable to Save Weak Story
Lakeith Stanfield (Atlanta) and Issa Rae (Insecure) star in this somber romance flick. Written and directed by Stella Meghie (Everything, Everything), New York journalist, Michael Block (LaKeith Stanfield) goes to Louisiana to interview Isaac (Y’lan […]

Making the AMVCA Great Again— An 8-Point Plan
The Africa Magic Viewers’ Choice Awards (AMVCA) is Nollywood’s most revered award. Not many would like to admit, but it is—like many other things in the industry— unsurprisingly problematic. Since there is not much to […]

‘The Takedown’ Review: French Buddy Cop Movie is a Misfire
Omar Sy moves from a jeweller thief in Lupin to a law-and-order figure in The Takedown, a buddy cop movie about two officers on a flight to take down a criminal group. The Netflix comedy […]

‘The Man for the Job’ Review: The Man for the Job?
The Man for the Job is a Silicon Valley-esque Nollywood film that portrays an uncommon side of the Nigerian tech space, failed dreams, sour friendship and a heist? Despite the story having different possible narratives […]

‘The Pick Up’ Review: Minimalist Short Film Digs Deep into a Bag of Expressiveness
According to experts, imposing restrictions on the creative process is more likely to encourage creativity than stifle it. The rationale behind this is that by placing some restrictions on their process, the artist has automatically […]