Reviews

‘Red Circle’ Review: A Concept, A Dream, An Ideal That Even The Thriller Doesn’t Demystify
When you build mystery in a film, there is an important balance between drawing in your audience with questions and never showing your hand too early. You navigate with the cinematic equivalent of a poker […]

‘My Mother is a Witch’ Review: Mercy Aigbe and Efe Irele Rise to the Occasion in a Familial Negotiation of Trauma And Healing
“You’re a witch!” Imuetiyan, the film’s protagonist, blurts out during an emotionally charged argument with her mother (Mercy Aigbe). Unfazed by this accusation, her mother responds wryly that she is indeed a witch and she […]

‘Suky’ Review: The Loud Silence of Ola Cardoso’s Debut
Suky opens in a boxing ring, where Adigun (Tobi Bakre) is instructing a group of young fighters with the assured discipline of a man who has survived too much and seen too little change. Among […]

‘Ori Rebirth’ Review: Uneasy Lies the Head With a Stronger Inner Head
Ori Rebirth, a reboot of the beloved Ori (2004), brings back Muyiwa Ademola as Bisade in an ambitious outing that painfully untethers itself from the Yoruba classic in crucial spots. With its reflective meditation on […]

NYAFF 2025: ‘The Fisherman’ Review
There is a tug of war, a push and pull like the tide of an ocean, that exists at the centre of The Fisherman, the feature debut by Zoey Martinson. It swings between youth and […]

NYAFF 2025: ‘God’s Wife’ Review (Short Film)
God’s Wife opens with the first of many impactful moments. A forlorn woman dressed in white while her hair is aggressively cut with a pair of scissors as two women sit on her sides casting […]

NollywoodWeek (NOW) Film Festival 2025: ‘Olumotan’ Review (Closing Film)
Olumotan: The Trial of the Storyteller begins with a certain kind of awareness. First, there seems to be a breaking of the fourth wall by the storyteller played by Sola Sobowale, and then a multicultural […]

NollywoodWeek (NOW) Film Festival 2025: ‘Out in The Darkness’ Review
In For Maria: Ebun Pataki (2020), a pediatrician tells new mother Derin, “Babies cry. It’s what they do,” when she questions her infant’s incessant tears. The cries disrupt Derin’s sleep, heighten her panic, and fray […]
News

Missed It at the Festivals? Bluhouse Studios’ ‘Freedom Way’ is Coming to Cinemas in July
Ever since Freedom Way got its 2025 AMVCA Best Movie win, many have been eager to see what the buzz was about. And for those who already knew of the film but missed it during […]

New African Film Distributor Screen Connect Launches to Bridge Gaps in Pan-African Film Distribution
A new Pan-African film distribution platform, Screen Connect, has officially launched operations, introducing a collaborative approach to getting African stories in front of African audiences. The initiative is driven by the urgent need to improve […]

Principal Photography Wraps Up on Orire Nwani’s Mystery Thriller ‘Baptism’
Conceptified Media and One Child Grace Studios have completed principal photography on Baptism, a mystery thriller directed by Orire Nwani, known for his work on Prime Video’s Grind, the AMVCA-nominated short film T’egbon T’aburo, and […]

Damilola Orimogunje’s ‘Dear Ayayi’ Begins Principal Photography, Announces Key Cast
After nearly a decade in development, principal photography has officially begun on Dear Ajayi, the eagerly anticipated sophomore feature from Damilola E. Orimogunje, who became known for his emotionally arresting 2020 debut, For Maria Ebun […]

Five Nigerian Animation Projects Head to Annecy’s Mifa 2025 under Hidden Gems Showcase
Nigeria’s animation industry is set for a global spotlight at the 2025 Annecy International Animation Film Festival’s market, Mifa, with five diverse projects selected for the Hidden Gems: Global Stories from Nigeria showcase. Supported by […]

Nnamdi Kanaga’s ‘Water Girl’ Teases Desperation & Spirituality Rooted in Igbo Mythology (Watch Teaser)
A new supernatural drama rooted in Nigerian mythology, Water Girl, is preparing for its upcoming release with the unveiling of a teaser (watch below). The feature film was written and directed by Nnamdi Kanaga, a […]

Dika Ofoma and Bluhouse Studios’ ‘Kachifo’ Selected for Locarno’s Open Doors
Dika Ofoma and producer Blessing Uzzi of Bluhouse Studios have been selected for the 2025 Open Doors Projects programme at the Locarno Film Festival, with their upcoming feature Kachifo (Till the Morning Comes) that has […]

NTA Launches Original Content Push, Teases Revival of Classics
After years of reduced fictional output, recent moves by the Nigerian Television Authority (NTA) suggest a renewed effort to re-establish itself. Following announcements by Executive Director of Programmes, Tari Taylaur, NTA has rolled out a […]
Essays

‘Superstar’ Review: Nancy Isime Shines in a Middling Drama from Akay Mason
Sofia Coppola (Somewhere, The Beguiled) often frames her characters gazing out of car windows, quiet and deep in contemplation, desperately searching for answers to their plight as the outside world carries on with its business. […]

The Biggest Revelations from King of Boys Documentary, ‘The Making of a King’
Directed by Michael ‘Ama Psalmist’ Akinrogunde (Ghost and the Tout Too) and narrated by Teniola Aladese (Superstar), the King of Boys documentary is another exclusive Netflix title co-produced by Kemi Adetiba. Making of a King […]

Editi Effiong Discusses his Directorial Feature-Length Debut, ‘The Black Book’, Nollywood’s Million Dollar Budget Project
Speaking on a CNN segment “Empowering the next generation of African creatives”, Editi Effiong prides himself on telling the next generation of African stories under his production banner, Anakle Films. Editi Effiong, who has worked […]

Preview of January Movies and TV Shows
While there are not so many movies to look forward to in January, there are two artistic Nollywood titles to be excited about, and quite a number of returning TV shows. Highlight of New Films […]

‘Chief Daddy 2’ Review: Perhaps This is What the Audience Deserves
Perhaps not. Maybe, as some have rightly hypothesized, we have given the audience far too much credit than deserved. After all, there is no proper yardstick to measure this audience’s intelligence or to prove that […]