Retro Review: ‘Home Alone’ is Immortal
The most interesting thing about rewatching Chris Columbus’ 1990 film, Home Alone, is seeing Joe Pesci play Harry Lime and be a goofy burglar. It is to watch Macaulay Culkin in retrospect, knowing all the […]
‘Red Notice’ Review: An Uninventive Maxi Netflix Algorithm Event
Dwayne Johnson, Gal Gadot and Ryan Reynolds in a movie give you exactly Dwayne Johnson, Gal Gadot and Ryan Reynolds in a movie, just as you know them. A bit confusing, I know. A movie […]
‘Home Sweet Home Alone’ Review: A Cautionary Tale for Sequels and Comedy
A lot of people have been pissed with the way things were left off in the Home Alone franchise, especially because of the other three movies that were added to the series. With this 2021 […]
Movie Review: Kayode Kasum’s ‘Oga Bolaji’ Settles as a Reluctant Drama
When we think of Kayode Kasum (Ponzi, Quam’s Money, Dwindle, The Therapist), it will most likely be in light of his 2019 film, Sugar Rush, a decent action comedy that put him in place as […]
‘Army of Thieves’ Review: A Tad Late on the Heist Scene
Army of Thieves is the second movie in the Army of the Dead universe which is being put together by Zack Synder for Netflix. The first movie Army of the Dead was directed by Zack […]
Movie Review: ‘Progressive Tailors Club’ & The Persevering Critics Club
In the beginning, God said, “Let there be chaos,” and there was Progressive Tailors Club’s opening scene—maybe, even, every meeting scene. We are thrown into this gathering of unfunny characters trying too hard to be funny; too hard to the point of obviousness.
‘The Prince of Egypt’ Retro Review: A Classic Musical Tale of Layered Conflict
The Prince of Egypt kicks off as a meticulously animated tale of helpless slaves pitted against their masters. While the enslaved only have the heavens to cry unto—whips lash, hands toil, sweat drips, and Egyptian […]
‘Charge and Bail’ Review
Directed by Uyoyou Adia, Charge and Bail follows the story of Boma (Zainab Balogun), a young elite woman who leaves the United States to practice law in her father’s firm in Nigeria.
‘Badboys and Bridesmaids’ Review: A Bad Remix in a Clichéd Genre
Since the success of The Wedding Party movies, there has been an unhealthy tilt in the industry towards romantic-comedies; an already overpopulated film genre. The formula for these films are well-known; throw the rich at the poor and sprinkle a dash of romantic drama. In this manner, Badboys and Bridesmaids offers nothing new or refreshing.
‘Yawa 2: Aja Colonel’ Review
It sounds preposterous, doesn’t it? A gathering of mourners somewhere in our very own Nigeria are crying and singing hymns and delivering speeches to honour a dog.
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