Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. The epigraph at the pilot episode of Princess On A Hill poses […]
How can Black voices across continents reunify in a world shaped by colonialism and exploitation? This is the central question posed by BLKNWS: Terms and Conditions, an ambitious, experimental documentary by acclaimed visual artist Kahlil […]
We live in volatile times, many are quick to point out. But haven’t we always? There’s always a looming conflict on the horizon or one raging in the background, whether or not it receives media […]
In 2009, when flip phones were still a thing and the world hadn’t been taken over by Instagram and TikToks, Toyin Abraham released the first instalment in the Alakada franchise, which slithered its way into […]
From King of Thieves to Jagun Jagun, House of Gaa and Lisabi, Femi Adebayo is no stranger to the Yoruba language films that have enjoyed mainstream popularity in recent times. His onscreen presence is often […]
After the culmination of the Merry Men series last year (hopefully), Ayo Makun is back with another comedy thriller in The Waiter. Although AY says this film is different from his previous movies, between the […]
In a retrospective I wrote last year, I hailed Isoken as Jade Osiberu’s best film and praised how well it executed its premise: “[this is] a simple romantic story, Russian-dolled in another one about self-confidence, […]
From December 10th to 13th, at Alliance Française, Lagos, the S16 Film Festival marked its fourth edition to welcoming embrace. Four years since its genesis (ideated by the S16 Collective trio of Abba T. Makama, […]
The day after Everybody Loves Jenifa had its theatrical release, I went to my local cinema looking to purchase a ticket. The only thing the attendant had to offer, however, was disappointment: “Come back tomorrow. […]
Cinema is a specificity of vision. It’s an approach in which everything matters. It’s the polar opposite of generic or arbitrary and the result is as unique as a signature or a fingerprint. It isn’t […]
Let’s get this out of the way: Suspicion is a terrible title, especially for what turns out to be a good film. Apparently, the film started out as a short released in 2008, titled The […]
When the average Nigerian describes the personnel of the Nigerian military, they would most likely conjure up a fearful image of a camouflage-wearing brute, barking orders that are often reinforced with physical violence and the […]
In the heart-wrenching psychodrama 4:4:44, which is inspired by a true event, we witness an extraordinary love story between a couple: a wife grappling with mental illness, and her devoted husband facing public scrutiny for […]
In The Origin: Madam Koi-Koi, released in two parts on Netflix, women are many things, concepts and characters. Women are saviours and villains, women are victims and victors, women are gods and spirits, and ultimately […]
Adeoluwa Owu’s Adire is FilmOne’s debut original. It is the first in their line-up for in-house originals. The all-purpose Nigerian film company has officially thrown its hat in the filmmaking mix of original productions. The […]
I had one line of thought when I came out of Small Talk: what is the Nigerian comedy film? What is its nature? What has it evolved from, and where is it going? The reason […]
Exploring the essence of teenage life through film is an enduring tradition as old as the medium itself. Every season, a new film emerges to delve into the crossroads of being fifteen, the complexities of […]
Merry Men becomes more outrageous with each installment, increasing the stakes to ridiculous heights and presenting far-fetched scenarios, like a low-budget Fast and Furious. The Guardian branded their Merry Men 2 review “low-budget Fast & […]
Heist movies come in all shapes and sizes. For some reason, there’s something about seeing a team of highly skilled people steal large sums of money, priceless artifacts, or some other MacGuffin that gets us […]
There’s an art [and sometimes a science] to humour in film and TV. We have the well-known physical comedy painted by sometimes exaggerated mannerisms and memorable characters, a comedy Aristotle might have called “farce” if […]
Tamara Jola-Scott (Sandra Okunzuwa), daughter of rich Lagos socialite Jolayemi Scott (Patrick Doyle), is a spoiled rich kid who treats everyone (friends included) as if beneath her. The news of her father’s involvement in an […]
Editi Effiong’s The Black Book has a lot of bright ideas. On one level, it’s an action flick about a former member of a private undercover elite squad. Even people with power and influence tremble […]
