Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. The epigraph at the pilot episode of Princess On A Hill poses […]
How can Black voices across continents reunify in a world shaped by colonialism and exploitation? This is the central question posed by BLKNWS: Terms and Conditions, an ambitious, experimental documentary by acclaimed visual artist Kahlil […]
We live in volatile times, many are quick to point out. But haven’t we always? There’s always a looming conflict on the horizon or one raging in the background, whether or not it receives media […]
In 2009, when flip phones were still a thing and the world hadn’t been taken over by Instagram and TikToks, Toyin Abraham released the first instalment in the Alakada franchise, which slithered its way into […]
From King of Thieves to Jagun Jagun, House of Gaa and Lisabi, Femi Adebayo is no stranger to the Yoruba language films that have enjoyed mainstream popularity in recent times. His onscreen presence is often […]
After the culmination of the Merry Men series last year (hopefully), Ayo Makun is back with another comedy thriller in The Waiter. Although AY says this film is different from his previous movies, between the […]
In a retrospective I wrote last year, I hailed Isoken as Jade Osiberu’s best film and praised how well it executed its premise: “[this is] a simple romantic story, Russian-dolled in another one about self-confidence, […]
From December 10th to 13th, at Alliance Française, Lagos, the S16 Film Festival marked its fourth edition to welcoming embrace. Four years since its genesis (ideated by the S16 Collective trio of Abba T. Makama, […]
The day after Everybody Loves Jenifa had its theatrical release, I went to my local cinema looking to purchase a ticket. The only thing the attendant had to offer, however, was disappointment: “Come back tomorrow. […]
Cinema is a specificity of vision. It’s an approach in which everything matters. It’s the polar opposite of generic or arbitrary and the result is as unique as a signature or a fingerprint. It isn’t […]
Let’s get this out of the way: Suspicion is a terrible title, especially for what turns out to be a good film. Apparently, the film started out as a short released in 2008, titled The […]
When the average Nigerian describes the personnel of the Nigerian military, they would most likely conjure up a fearful image of a camouflage-wearing brute, barking orders that are often reinforced with physical violence and the […]
The Two Aishas stars leading Kannywood actresses Rahama Sadau and Maryam Booth as best friends at loggerheads. The 2023 film is a family and political drama about the strains ambition can place on cordial relationships. […]
Lately, the formula adopted by Yoruba filmmakers draws inspiration from the culture’s rich folklore and ancient literature. This grounds their narratives in the familiar traditional Yoruba settings, with the stacked presence of popular actors—who have […]
Dika Ofoma’s A Quiet Monday is a social drama about the illegal IPOB (Independent People of Biafra) sit-at-home mandate in Southeastern Nigeria. After the federal government locked Nnamdi Kanu up on secessionist charges, his followers […]
The loneliest queue on earth is the unemployment queue. Try as you might to strike partnerships, to draw inspiration from friends and family, to fortify yourself with platitudes of encouragement, the loneliness of circumstance still […]
The love triangle is one of the most common elements in romance-themed films. In Nollywood, we have seen this in many forms, whether it’s two men fighting for the attention of a lady, a man […]
Benn Nwokike’s directorial debut, Insecure, opens with an impulsive meet-cute. Our protagonists are introduced by the fateful collapse of a blind date. It is cute but quite irrational. The foundation and intent of the scene […]
Abu-Bakr S. Adamu, a member of the Alpha Flicks initiative, is a director of the mundane by evidence at hand. His film, Tsoro Da Ruwa, explores the extremities of youthful exuberance and the domestic consequences […]
Every Valentine’s season, people on social media resurrect a jocular song, “Valentine’s is coming, where’s your boyfriend? Will you be single or be married?” The seasonal song makes for great fun, we accept, but for […]
“The street is a tough place, not for the weak. You either toughen up or the wolves of the street will devour you” is a mantra repeated one too many times for a film that […]
There is a running irony throughout Moses Inwang’s Dead Serious. The most obvious is how the title negates everything the film espouses. How a work of art can lack such self-awareness it degenerates into a […]
