Saturday, January 10th, 2026

Nollywood’s “Opening Weekend” Problem

Every filmmaker wants their film to make some money. The revenue helps make the case for the next film, and the one after that. Beyond the individual filmmaker, box office performance also signals the health of the industry to stakeholders. Even when it isn’t your film—and regardless of how successful it is—reliable, trackable box office data informs decisions. It shapes confidence. In that sense, reliable data feels almost like magic.

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An Analysis of Celestine Ukwu’s “Okwukwe na Nchekwube” and Eddie Okwedy’s “Happy Survival” in ‘Eyimofe’

Lately in Nollywood, deliberate soundtracking has taken the back seat in the filmmaking process, as if an afterthought. Rather than a composition that captures the mood of a scene, out-of-place trendy “Afrobeats” sounds are opted […]

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2021 AMAA Winners List: Nigerians are Given Five More Reasons to Anticipate Eyimofe’s Return

The African Movie Academy Awards 2021, hosted by actress-comedian Chigul, took place on Sunday night. Representing Nigeria were Eyimofe, Omo Ghetto: The Saga, La Femme Anjola, Ayinla, Shadow Parties, and Oba Bi Olorun in various […]

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2021 AMAA Nominations List: ‘Omo Ghetto’, ‘Eyimofe’, ‘Ayinla’ and ‘La Femme Anjola’ Nab Multiple Nominations

The nominations for the 2021 African Movie Academy Awards were announced on October 29, 2021, an award that recognizes outstanding African films, actors, and actresses in the previous year. The announcement for the 17th edition […]

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