AFRIFF: From the beginning of Pasa Faho, Igbo is front and centre in suburban Melbourne in Australia. The soundtrack plays Peter King’s “Jo Jolo” as the white people go about their business on the street. […]
AFRIFF: Revenge is a dish best served cold and the Burna Boy-produced 3 Cold Dishes serves you three incomplete meals that leave you wanting more. Directed by Oluseyi Asurf (Hakkunde), the film tells the story […]
SVAFF: Memory is a fickle thing. It is tasked with defining who we are and the stories we tell, but it is also inherently unreliable; to remember something is to contort it, to change it […]
Film Mischief: Stories, ideas and instructions passed down from generations continue to shape our present and future. We often don’t know their origins—my mother told me and her mother told her so you must hear […]
Film Mischief: There’s a scene in Behind the Smile towards its end where the colour palette of one of the main characters is imposed on the second character in a clumsy bait and switch move […]
Say Who Die is a film that is constantly moving. The film starts mid-movement: Omon Ighalo (Meyi Abu) is preparing for her trip to the United Kingdom on a scholarship, and her twin sister, Odion, […]
Venice: Saint Simeon, written and directed by Olubunmi Ogunsola, begins with a last supper reminiscent scene. There is food, there are disciples of the church, and just like in the gospel, there’s a secret —this […]
PLS RT begins with Kasope Briggs captured in a wooden crate; frightened, unaware of her location and begging to be released. She brings out her phone to make a video to try and upload to […]
BlackStar: In the Rashida Seriki-written and directed short film, nostalgia is a vehicle both literally and figuratively. The couple drive through Lagos in a vintage Mercedes Benz revisiting the past through symbolic stops like the […]
A bond that has existed across time and media, strengthened by adversity and a world that is often against their existence, is female friendship. This forms the core of What No One Knows. The dynamic […]