The constant has been Kunle Afolayan’s dedication to presenting craft as excellently as possible. But there has to be some ranking for those works, excellently as some of them are. Which is ‘best’ and which sits below the ranking. Here is a list of Afolayan’s best ten films.
Castle & Castle is a good series. From the dramatic ambience at the eponymous law firm to the tangents at opposing firms, all, in a way, connected to Mr. & Mrs. Castle. The Suits-inspired series […]
Animated films, animes, cartoons (as “adults” looking to denigrate the form call them) are a core of modern filmmaking and storytelling. They have become popularized largely, but not solely, by the Walt Disney company. Following […]
Hollywood is the filmmaking capital of the world and this has been the case for a long time. The majority of the films we see are either from Hollywood or Hollywood-influenced. This is certainly to […]
Mofe Ni Mofe heralds two characters traumatized by the complications of love.
By the twentieth minute, Shadow Parties is already a bad film. At this point, it isn’t yet obvious that it is the narrative’s fault. Concessions are still made on its behalf. We blame the numerous […]
We must all agree that Kemi Adetiba has had an interesting journey. From directing music videos, to The Wedding Party, then the acclaimed King of Boys and now a Netflix original for a King of Boys series. When one looks closely at the film projects, there are elements of directorial unifications.
It would seem an overstatement to term Saworoide the most important political movie in Nollywood’s history. Released in 1999, more than two decades ago, with a portion of its cast either aged or deceased, our […]
Play Network Studios is leaving a trail of remakes. It opened with Living in Bondage, then Rattlesnake: the Ahanna Story, and now Nneka the Pretty Serpent.
Ferdinando Cito Filomarino’s latest film, Beckett, is the classic wrong place at the wrong time.
