Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. The epigraph at the pilot episode of Princess On A Hill poses […]
How can Black voices across continents reunify in a world shaped by colonialism and exploitation? This is the central question posed by BLKNWS: Terms and Conditions, an ambitious, experimental documentary by acclaimed visual artist Kahlil […]
We live in volatile times, many are quick to point out. But haven’t we always? There’s always a looming conflict on the horizon or one raging in the background, whether or not it receives media […]
In 2009, when flip phones were still a thing and the world hadn’t been taken over by Instagram and TikToks, Toyin Abraham released the first instalment in the Alakada franchise, which slithered its way into […]
From King of Thieves to Jagun Jagun, House of Gaa and Lisabi, Femi Adebayo is no stranger to the Yoruba language films that have enjoyed mainstream popularity in recent times. His onscreen presence is often […]
After the culmination of the Merry Men series last year (hopefully), Ayo Makun is back with another comedy thriller in The Waiter. Although AY says this film is different from his previous movies, between the […]
In a retrospective I wrote last year, I hailed Isoken as Jade Osiberu’s best film and praised how well it executed its premise: “[this is] a simple romantic story, Russian-dolled in another one about self-confidence, […]
From December 10th to 13th, at Alliance Française, Lagos, the S16 Film Festival marked its fourth edition to welcoming embrace. Four years since its genesis (ideated by the S16 Collective trio of Abba T. Makama, […]
The day after Everybody Loves Jenifa had its theatrical release, I went to my local cinema looking to purchase a ticket. The only thing the attendant had to offer, however, was disappointment: “Come back tomorrow. […]
Cinema is a specificity of vision. It’s an approach in which everything matters. It’s the polar opposite of generic or arbitrary and the result is as unique as a signature or a fingerprint. It isn’t […]
Let’s get this out of the way: Suspicion is a terrible title, especially for what turns out to be a good film. Apparently, the film started out as a short released in 2008, titled The […]
When the average Nigerian describes the personnel of the Nigerian military, they would most likely conjure up a fearful image of a camouflage-wearing brute, barking orders that are often reinforced with physical violence and the […]
First Features is a Nigerian initiative dedicated to empowering a new generation of film directors who will bring their many talents and unique voices to the industry. The plan is to mentor and assist 12 […]
After a run of original series like Diiche, Crime and Justice Lagos, and Flawsome, Showmax has finally released its first Nigerian original feature, School Run. The film stars Ifeanyi Kalu and Amanda Iriekpen as its […]
In crime thrillers, an occurrence that consistently intrigues me is when the protagonist, presented with an opportunity for revenge, delays the kill for a triumphant speech. Unfortunately, this often grants the enemy an additional chance […]
Malaika, directed by Steve Sodiya, blends traditional Yoruba theatre and New Nollywood to deliver an average movie with social commentary. The movie revolves around Tutu (Toyin Abraham Ajeyemi), a successful yet hot-headed woman grappling with […]
Rebel Moon is the product of a 26-year-old idea conceived by co-writers Zack Snyder and Kurt Johnstad when they were in college, based on the idea of a Dirty Dozen movie set in space. The […]
If a film is tagged “one of the greatest of all time,” chances are it’s done either of these very well: defined a particular genre or defied genre* altogether. A genre-defining film is so excellent […]
Wedding films are a big part of Nollywood. They are so popular that the subgenre’s tropes have become familiar. But they offer simple narratives that can be entertaining because of how accessible the wedding culture […]
Funke Akindele’s star-studded Christmas submission, A Tribe Called Judah, is a good film. That is one part of criticism simplified: To arrive at the point as early and quickly as possible. The film hits all […]
By the time Moses Inwang’s Blood Vessel’s first act draws near its close, the gnawing, worrying feeling that this might be a bad, melodramatic movie begins to creep in on you. The emotional outbursts from […]
In Kayode Kasum’s second offering of the year, Afamefuna, we are presented with a cinematic experience that not only deserves acclaim but could even invoke the divine approval of a Biblical fire. Firmly rooted in […]