Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. The epigraph at the pilot episode of Princess On A Hill poses […]
How can Black voices across continents reunify in a world shaped by colonialism and exploitation? This is the central question posed by BLKNWS: Terms and Conditions, an ambitious, experimental documentary by acclaimed visual artist Kahlil […]
We live in volatile times, many are quick to point out. But haven’t we always? There’s always a looming conflict on the horizon or one raging in the background, whether or not it receives media […]
In 2009, when flip phones were still a thing and the world hadn’t been taken over by Instagram and TikToks, Toyin Abraham released the first instalment in the Alakada franchise, which slithered its way into […]
From King of Thieves to Jagun Jagun, House of Gaa and Lisabi, Femi Adebayo is no stranger to the Yoruba language films that have enjoyed mainstream popularity in recent times. His onscreen presence is often […]
After the culmination of the Merry Men series last year (hopefully), Ayo Makun is back with another comedy thriller in The Waiter. Although AY says this film is different from his previous movies, between the […]
In a retrospective I wrote last year, I hailed Isoken as Jade Osiberu’s best film and praised how well it executed its premise: “[this is] a simple romantic story, Russian-dolled in another one about self-confidence, […]
From December 10th to 13th, at Alliance Française, Lagos, the S16 Film Festival marked its fourth edition to welcoming embrace. Four years since its genesis (ideated by the S16 Collective trio of Abba T. Makama, […]
The day after Everybody Loves Jenifa had its theatrical release, I went to my local cinema looking to purchase a ticket. The only thing the attendant had to offer, however, was disappointment: “Come back tomorrow. […]
Cinema is a specificity of vision. It’s an approach in which everything matters. It’s the polar opposite of generic or arbitrary and the result is as unique as a signature or a fingerprint. It isn’t […]
Let’s get this out of the way: Suspicion is a terrible title, especially for what turns out to be a good film. Apparently, the film started out as a short released in 2008, titled The […]
When the average Nigerian describes the personnel of the Nigerian military, they would most likely conjure up a fearful image of a camouflage-wearing brute, barking orders that are often reinforced with physical violence and the […]
BlackStar: One of the philosophies I hold closely about cinema is that it belongs to everybody. It’s a medium open not only to the mainstream but also to the storytellers on the fringes, whether they’re […]
BlackStar: In the Rashida Seriki-written and directed short film, nostalgia is a vehicle both literally and figuratively. The couple drive through Lagos in a vintage Mercedes Benz revisiting the past through symbolic stops like the […]
BlackStar: Chisom Chieke’s short film unfolds almost uncertainly, like a painting in progress whose artist is in conflict with their muse. There is a quiet tension that simmers within Adanma (Karen Obilom) and Trey (Marcus […]
The top comment in one of the Zikoko Life shorts reads, “Please, shoot more videos. This struck my heart. I’m in my 40s, and yet, I know love will find me.” The film being referred […]
Ewo (Forbidden) opens like an ethnographic homage to the African marketplace. Directed by Ekene Som Mekwunye (One Lagos Night), it presents a colourful swirl of commerce, culture, and chatter. With wide shots of women displaying […]
Back in 2018, Kemi Adetiba pioneered a new kind of Nigerian cinema. While Nollywood has always been interested in crime as a social phenomenon, with King of Boys, Adetiba injected a level of modern immersion […]
I began watching The Lost Days last Saturday inside an Uber while stuck in an infuriating traffic with a sexist driver who kept yelling curses at the female driver in front of him. The day […]
A bond that has existed across time and media, strengthened by adversity and a world that is often against their existence, is female friendship. This forms the core of What No One Knows. The dynamic […]
It can be daunting trying to follow every bit of news in the wake of a tragedy. It can be downright Herculean trying to separate legitimate information from baseless sentiment, or worse, rumours and propaganda. […]
The lore of Madam Koi Koi is an ever mutating one. First gaining root in minds during secondary school, the story evolves in detail with every telling. Sometimes she is a woman murdered by students, […]
