Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. The epigraph at the pilot episode of Princess On A Hill poses […]
How can Black voices across continents reunify in a world shaped by colonialism and exploitation? This is the central question posed by BLKNWS: Terms and Conditions, an ambitious, experimental documentary by acclaimed visual artist Kahlil […]
We live in volatile times, many are quick to point out. But haven’t we always? There’s always a looming conflict on the horizon or one raging in the background, whether or not it receives media […]
In 2009, when flip phones were still a thing and the world hadn’t been taken over by Instagram and TikToks, Toyin Abraham released the first instalment in the Alakada franchise, which slithered its way into […]
From King of Thieves to Jagun Jagun, House of Gaa and Lisabi, Femi Adebayo is no stranger to the Yoruba language films that have enjoyed mainstream popularity in recent times. His onscreen presence is often […]
After the culmination of the Merry Men series last year (hopefully), Ayo Makun is back with another comedy thriller in The Waiter. Although AY says this film is different from his previous movies, between the […]
In a retrospective I wrote last year, I hailed Isoken as Jade Osiberu’s best film and praised how well it executed its premise: “[this is] a simple romantic story, Russian-dolled in another one about self-confidence, […]
From December 10th to 13th, at Alliance Française, Lagos, the S16 Film Festival marked its fourth edition to welcoming embrace. Four years since its genesis (ideated by the S16 Collective trio of Abba T. Makama, […]
The day after Everybody Loves Jenifa had its theatrical release, I went to my local cinema looking to purchase a ticket. The only thing the attendant had to offer, however, was disappointment: “Come back tomorrow. […]
Cinema is a specificity of vision. It’s an approach in which everything matters. It’s the polar opposite of generic or arbitrary and the result is as unique as a signature or a fingerprint. It isn’t […]
Let’s get this out of the way: Suspicion is a terrible title, especially for what turns out to be a good film. Apparently, the film started out as a short released in 2008, titled The […]
When the average Nigerian describes the personnel of the Nigerian military, they would most likely conjure up a fearful image of a camouflage-wearing brute, barking orders that are often reinforced with physical violence and the […]
Daniel Etim Effiong’s debut feature sits at the centre of an important political quagmire: a country refusing to tackle a complex insecurity issue that threatens to destroy an already delicate national fabric. It takes on […]
AFRIFF: There are many stories told of victories and the ways they are achieved. The tales of the final battles and surrender, chronicles of the victors and vanquished, narratives strung together of the pacts forged […]
AFRIFF: A first feature often defines the trajectory of a director’s career. It shapes how audiences will come to perceive their work and what threads they’ll follow through subsequent projects. For The Boy Who Gave, […]
AFRIFF: Today’s sermon, or rather review, will be taken from the book of Matthew, chapter 7, verse 11, which says, “If ye then, being evil, know how to give good gifts unto your children, how […]
AFRIFF: There are familiar patterns in history, events that repeat themselves with little to no variations, circumstances that mothers and daughters will experience and moments that nations will often not learn from. With Lace Relations, […]
AFRIFF: There is no scarcity of bodies in Son of the Soil. Bleeding and strewn across the streets; glistening with sweat, tears and blood; running and ramming into each other; it’s a visceral violence that […]
When artists cannot change the world, they bicker. Functioning otherwise as actor, writer and co-producer on the project, Temilolu Fosudo brings an energy easy to root for in his directing of this three-man hassle that […]
AFRIFF: From the beginning of Pasa Faho, Igbo is front and centre in suburban Melbourne in Australia. The soundtrack plays Peter King’s “Jo Jolo” as the white people go about their business on the street. […]
AFRIFF: Revenge is a dish best served cold and the Burna Boy-produced 3 Cold Dishes serves you three incomplete meals that leave you wanting more. Directed by Oluseyi Asurf (Hakkunde), the film tells the story […]
If you squint hard enough, you can almost glimpse the film that Osamede is trying to be: a sweeping historical epic with gods and magic, but also a character drama that probes the motivations and […]