Reviews
‘Love and New Notes’ Review: Kayode Kasum’s Part Horror, Part Romance, Part Drama, Part Heist, Part Comedy Film
Religions and cultures agree: desperation has a way of becoming spiritual. The woman who cannot bear a child, the man whose mind is poisoned by money; these are not just personal tragedies in Nigerian storytelling, […]
Berlinale 2026: Jeremy Comte’s ‘Paradise’
Berlinale: It is in the final moments of Jeremy Comte’s first feature that he renders the moments giving the film its title, in lyrical realism. “…it burns,” our one-hand protagonist — far from his Quebec […]
Berlinale 2026: The Critics’ and Pietra Brettkelly’s ‘Crocodile’ Review (Documentary)
Berlinale: There was a time The Critics, more known as The Critics Company, wanted to make comedy skits but with a twist of VFX. They were hoping to create an alternative to the common slapstick […]
Berlinale 2026: Alain Gomis’ ‘Dao’ Review
Berlinale: Not to get too personal, I have family members across four continents. Over the past five years, we have had at least two weddings and a funeral to attend. Those are the only times […]
Berlinale 2026: Sandulela Asanda’s ‘Black Burns Fast’ Review
Berlinale: African films that are filled with joy at international film festivals are rare. That is why Kenyan filmmaker Wanuri Kahiu’s Afrobubblegum movement is important as more attention turns towards African films. We need to […]
‘Alive Till Dawn’ Review: Nigeria’s Claimed First Zombie Apocalypse is Derivative, Politically Oblivious, and an Illusion of Innovation
The Nollywood horror genre has declined over the years. This can be attributed to a combination of moral and religious panic, alongside the industry’s formulaic mode of operation. Over time, Nollywood has found other formulas […]
Sundance 2026: Praise Odigie’s ‘Birdie’ Review (Short Film)
Sundance: In Birdie, Praise Odigie Paige evokes an ideal countryside with scenic shots of a home nestled in fields of green and a stream cutting through. There are no neighbours and it is isolated from […]
Sundance 2026: Olive Nwosu’s ‘Lady’ Review
Sundance: Some film endings comfort. Others provoke and leave us uneasy. Some quietly ask us to act. In these moments, the final frame becomes the film’s last word, the image that follows us out of […]
News
Pamela Adie’s ‘Ìfé the Sequel’ Lands World Premiere at BFI Flare: London LGBTQIA+ Film Festival
Ìfé the Sequel has been chosen to have its world premiere at the 40th-anniversary BFI Flare: London LGBTQIA+ Film Festival in March, with first screening scheduled for March 23 at BFI Southbank and a second […]
CJ Obasi’s New Psychological Thriller ‘A Blue Butterfly’ to Star Steve Toussaint and Sanaa Lathan
Auteur filmmaker CJ Obasi (Mami Wata) takes another step on the international scene with his upcoming feature, a psychological thriller titled A Blue Butterfly. Produced by Stella Nwimo, who recently produced Olive Nwosu’s Sundance title […]
Trailer: Dammy Twitch Makes His Feature Debut With Bluhouse Studios’ Romantic Comedy ‘Call of My Life’
Bluhouse Studios has released the official trailer for Call of My Life, the directorial feature debut from Dammy Twitch. The romantic comedy follows Soluchi, a call‑centre agent still reeling from heartbreak after being left by […]
The Filmjoint Awards 2026: Full List of Award Winners
The third edition of The Filmjoint Awards 2026 took place on February 7 at Alliance Française in Lagos, celebrating short films, filmmakers, actors, and creative teams who bring these short stories to life. This year’s […]
Kava Releases First Set of Short Films With Fatimah Binta Gimsay’s ‘#Messy’ Collection
Kava, the streaming platform founded by Inkblot Studios and FilmOne Studios, is staying true to its promise of providing a space for short films, with the release of #Messy, a new collection featuring three short […]
Arie and Chuko Esiri Secure NEON Distribution Deal for ‘Clarissa’
Filmmaking brothers Arie and Chuko Esiri have secured a distribution deal with acclaimed American independent film production and distribution company NEON for their upcoming title, Clarissa. An adaptation of “Mrs. Dalloway” by Virginia Woolf, the […]
‘Lady’ Wins at Sundance, But Nigeria’s Actors Had to Watch From Home
Award ceremonies are always regarded as an actor’s biggest night. For the cast of Lady, that moment unfolded from a distance. Despite winning the Special Jury Award for Acting Ensemble at the just-concluded Sundance, and […]
‘Mothers of Chibok’ and The Return of Nigerian Documentaries to Cinemas
Between the peak streaming years and today, Nigerian documentaries skipped cinemas entirely. Streamers like Netflix were testing out ideas. Festivals provided prestige. And urgency-driven independent docs could be found on YouTube. That context makes Joel […]
Essays
In Search of The Missing Woman in Nemsia’s ‘Finding Nina’ and ‘Thicker Than Water’
In 2022, Derin Adeyokunnu and B.B. Sasore’s Nemsia Studios announced a three-picture slate deal with Prime Video. The first, B.B. Sasore’s Breath of Life (2023), became an audience favourite, securing five major awards at the […]
Onyinye Odokoro to Star in Melon House’s Debut Feature ‘Adanne’, A Story Across Three Igbo Generations
Melon House Production has announced its first feature film, Adanne, a family drama set to begin production in November 2025. Written and produced by Gold Gerry (Boo’d Up) and directed by Orobosa Ikponmwen, the film […]
AFRIFF 2025: ‘The Boy Who Gave’ Review
AFRIFF: A first feature often defines the trajectory of a director’s career. It shapes how audiences will come to perceive their work and what threads they’ll follow through subsequent projects. For The Boy Who Gave, […]
AFRIFF 2025: ‘The Good Gift’ Review
AFRIFF: Today’s sermon, or rather review, will be taken from the book of Matthew, chapter 7, verse 11, which says, “If ye then, being evil, know how to give good gifts unto your children, how […]
AFRIFF 2025: ‘Son of the Soil’ Review
AFRIFF: There is no scarcity of bodies in Son of the Soil. Bleeding and strewn across the streets; glistening with sweat, tears and blood; running and ramming into each other; it’s a visceral violence that […]
