Wednesday, April 1st, 2026

‘Aba Blues’ Review: Jack’enneth Opukeme’s Style Meets a New City and Another Interesting Female Lead in a Faltering Story

The women of Jack’enneth Opukeme’s films are attempts at complexities to varying levels of success. In Adire (which he wrote), the titular character is bringing emancipation to the women of the town through the power […]

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‘Love and New Notes’ Review: Kayode Kasum’s Part Horror, Part Romance, Part Drama, Part Heist, Part Comedy Film

Religions and cultures agree: desperation has a way of becoming spiritual. The woman who cannot bear a child, the man whose mind is poisoned by money; these are not just personal tragedies in Nigerian storytelling, […]

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Nollywood’s “Opening Weekend” Problem

Every filmmaker wants their film to make some money. The revenue helps make the case for the next film, and the one after that. Beyond the individual filmmaker, box office performance also signals the health of the industry to stakeholders. Even when it isn’t your film—and regardless of how successful it is—reliable, trackable box office data informs decisions. It shapes confidence. In that sense, reliable data feels almost like magic.

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