In the beginning, God said, “Let there be chaos,” and there was Progressive Tailors Club’s opening scene—maybe, even, every meeting scene. We are thrown into this gathering of unfunny characters trying too hard to be funny; too hard to the point of obviousness.
The Prince of Egypt kicks off as a meticulously animated tale of helpless slaves pitted against their masters. While the enslaved only have the heavens to cry unto—whips lash, hands toil, sweat drips, and Egyptian […]
Around the one-hour mark in an unspecified future, in the endless desert of Dune, the giant predator sandworm, attracted by vibrations, shoots out from underneath the desert and swallows the spice mining machinery, crawler, in […]
Directed by Uyoyou Adia, Charge and Bail follows the story of Boma (Zainab Balogun), a young elite woman who leaves the United States to practice law in her father’s firm in Nigeria.
Gone, apparently, is the pristine place to see Bimbo Ademoye.
Hers, Mine, Ours is a 2021 short film directed by Deji ‘Riley’ Omoloja and written by Akuchinyerem Okonkwo. With a synopsis reminiscent of Tade Ogidan’s 2004 film, Dangerous Twins, Kuchi Chris plays the technical role […]
Since the success of The Wedding Party movies, there has been an unhealthy tilt in the industry towards romantic-comedies; an already overpopulated film genre. The formula for these films are well-known; throw the rich at the poor and sprinkle a dash of romantic drama. In this manner, Badboys and Bridesmaids offers nothing new or refreshing.
It sounds preposterous, doesn’t it? A gathering of mourners somewhere in our very own Nigeria are crying and singing hymns and delivering speeches to honour a dog.
There are countless successful films based on books all over, and to counterweight that, there are terrible ones as well.
