Thursday, November 5th, 2026

Film Africa 2026: Damilola Orimogunje’s ‘Dear Ajayi’ Roughly Examines Women’s Demands of Duty and the Desire for Freedom

Film Africa: History has always been unkind to women, and Damilola Orimogunje’s Dear Ajayi understands this, albeit in an overstated way. In his sophomore outing, which follows two estranged sisters “forced” to live together while […]

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‘Black Market’ Review: Fatimah Binta Gimsay’s Feature Debut is a Very Nigerian Film for a Very Nigerian Situation

September 26, 2026 gave Nigerian cinema two occasions to celebrate. The first was Nigerian Cinema Day, with audiences filling cinemas nationwide for a limited slate of films after FilmOne, the leading distributor, reportedly pulled out. […]

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‘We Must Begin Again, Together’ Review: Ade Sultan Sangodoyin’s Unsettling Tale of A Good Husband, A Broken Wife and A Small Town

Bimbi’s husband is good to her. He compliments her cooking. Assists where needed. Apologises when he hurts her feelings. Promises to get her a new phone after she complains that he has given his old […]

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‘Alahun: The Weaver’ Review: Dare Olaitan’s Long-Awaited Epic Adventure Return Takes Too Long to Get Going

Dare Olaitan returns to the director’s chair with Alahun: The Weaver, a Yoruba epic adventure filled with spirits, mythical creatures, and an unlikely hero at its centre. The film asks many questions, such as what the measure of a true hero is, and how love can transcend societal limitations.

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Locarno Open Doors 2026 Review: ‘Concrete Moves’, ‘Time to Change’, ‘sKINs’, ‘Submergido’ and ‘Goat’

The following five short films screened as part of the 2026 Locarno Open Doors, taking place from August 5-10, 2026. The five directors were also invited to take part in the Open Doors Directors programme. […]

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‘Blood Sisters’ Season 2 Review: EbonyLife’s Netflix Thriller Expands Its World of Excess, for Better and Worse

In a rare Nigerian series continuation on Netflix, Blood Sisters returns four years after its first season in 2022, picking up directly from the Ademola family shooting. While Uncle B (Ramsey Nouah) dies from the […]

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‘MKO’ Review: Ose Oyamendan Revisits the Wound of June 12 and Nigeria’s Greatest Political What-If (Sheffield DocFest 2026)

Hope, they say, is a very, very stubborn thing. It survives military coups. It survives broken promises. It survives politicians campaigning the language of change and turning around to enforce the language of power just […]

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