Hope, they say, is a very, very stubborn thing. It survives military coups. It survives broken promises. It survives politicians campaigning the language of change and turning around to enforce the language of power just […]
The definition of a romcom is a well-documented and defined concept, parameters are often rigid and the story must follow a formula: hot boy plus beautiful girl plus almost fantastical meeting equals forever after. Dammy […]
Nollywoodweek: There is a very good chance that Hussaini would break your heart. The eighteen-minute-long film opens in a mosque, where Hussaini, among a small congregation of men, bows in prayer. We then follow him […]
In Fiyin Gambo’s The Other Side of The Bridge, class tensions find their outlet in the clashing bodies of Tobi Bakre and Demi Banwo in a story that follows two boxers from opposite backgrounds competing […]
Seeing the world through the eyes of adolescence feels different in a way that’s hard to ignore. It’s a perspective that hasn’t been tainted by the weight of adulthood yet, where things are still a […]
Onto virgins, babies are delivered. Debby Whyte who plays the lead, Olamide, anchors this straight-forward comedy about a young woman kicking up a storm over a pregnancy scare. Wary of a shameful loss of face […]
The women of Jack’enneth Opukeme’s films are attempts at complexities to varying levels of success. In Adire (which he wrote), the titular character is bringing emancipation to the women of the town through the power […]
Michael Ndiomu alludes to the concept of “cinema faces”—peculiar figures whose presence alone can summon footfall to the cinema—through the character Erastus Okpanachi in his feature directorial debut, Headless. As I sat in my empty […]
Religions and cultures agree: desperation has a way of becoming spiritual. The woman who cannot bear a child, the man whose mind is poisoned by money; these are not just personal tragedies in Nigerian storytelling, […]
Berlinale: It is in the final moments of Jeremy Comte’s first feature that he renders the moments giving the film its title, in lyrical realism. “…it burns,” our one-hand protagonist — far from his Quebec […]