Reviews
‘Suky’ Review: The Loud Silence of Ola Cardoso’s Debut
Suky opens in a boxing ring, where Adigun (Tobi Bakre) is instructing a group of young fighters with the assured discipline of a man who has survived too much and seen too little change. Among […]
‘Ori Rebirth’ Review: Uneasy Lies the Head With a Stronger Inner Head
Ori Rebirth, a reboot of the beloved Ori (2004), brings back Muyiwa Ademola as Bisade in an ambitious outing that painfully untethers itself from the Yoruba classic in crucial spots. With its reflective meditation on […]
NYAFF 2025: ‘The Fisherman’ Review
There is a tug of war, a push and pull like the tide of an ocean, that exists at the centre of The Fisherman, the feature debut by Zoey Martinson. It swings between youth and […]
NYAFF 2025: ‘God’s Wife’ Review (Short Film)
God’s Wife opens with the first of many impactful moments. A forlorn woman dressed in white while her hair is aggressively cut with a pair of scissors as two women sit on her sides casting […]
NollywoodWeek (NOW) Film Festival 2025: ‘Olumotan’ Review (Closing Film)
Olumotan: The Trial of the Storyteller begins with a certain kind of awareness. First, there seems to be a breaking of the fourth wall by the storyteller played by Sola Sobowale, and then a multicultural […]
NollywoodWeek (NOW) Film Festival 2025: ‘Out in The Darkness’ Review
In For Maria: Ebun Pataki (2020), a pediatrician tells new mother Derin, “Babies cry. It’s what they do,” when she questions her infant’s incessant tears. The cries disrupt Derin’s sleep, heighten her panic, and fray […]
NollywoodWeek (NOW Film Festival) 2025: ‘The Fire and The Moth’ Review
In The Fire and The Moth, the western town it is set in is presented with a sweeping calmness. There are gorgeous aerial shots and expert framings that keep the town rested but not docile. […]
NollywoodWeek (NOW) Film Festival 2025: ‘Soft Love’ Review
The South African and Nigerian love story in Soft Love is put into motion once Zandi`’s groom runs away on the morning of their wedding, setting up a tale of romance, friendship and family that […]
News
FAME Week Africa 2025 Returns to Cape Town as a Launchpad for the Continent’s Creative Future (Registration Open)
From selling a TV series, licensing music, or launching a fashion brand, FAME Week is where careers can be launched and creative work finds its audience, locally and internationally. The 2025 edition, returning to Cape […]
Everyone Has Their Guesses About the Netflix Geo-Blocking, on Nollywood Film Club in May
Since Netflix slowed its operations in Nigeria, there has still been no official word on their long-term strategy or future plans. So far, all we’ve gotten is a single statement last December to quell the […]
The Annual Film Mischief 2025 Themed ‘Reclaiming Self’ to Embrace Wellness and Identity for Festival Edition
After two years of Shooting the Culture, The Annual Film Mischief (TAFM), set to return for its 4th edition, will be Reclaiming Self with a format that extends beyond film screenings. This year’s edition, scheduled […]
Akinola Davies Jr’s ‘My Father’s Shadow’ Receives Caméra d’Or Special Mention at Cannes
While it did not win an award in the Un Certain Regard section, Akinola Davies Jr’s My Father’s Shadow has received a Caméra d’Or Special Mention at the 2025 Cannes Film Festival—an honour awarded to […]
National Film Institute Set for Major Upgrade in Partnership Between Chocolate City and FG
Chocolate City Group, a media and entertainment company long established in Nigeria’s music scene, set to play a key role in reshaping film education in Nigeria. In a partnership with the Federal Government, the music […]
A New Chapter for Nollywood: BRS Studios Unveils 2025 Film Slate
Following the global success of Tokunbo on Netflix, which landed in the Top 10 across more than 50 countries and amassed over 5 million views within its first three days, BRS Studios continues its mission […]
Daniel Etim Effiong’s Directorial Debut ‘The Herd’ to Screen at Cannes Marché du Film Panel
Nigerian actor and filmmaker Daniel Etim Effiong will present his directorial debut, The Herd, at the prestigious Marché du Film in Cannes during the panel, “The Nollywood Conversations: A Deep Dive into Opportunities to Present […]
Toyosi Etim-Effiong Joins Global Voices at NIFS Cannes 2025 to Spotlight Nollywood’s Future
On May 19, 2025, Nigeria’s media powerhouse, Toyosi Etim-Effiong, will take the stage in Cannes, France, as a panelist at the Nigerian International Film and TV Summit (NIFS). Founded by Ijeoma Onah, one of Nigeria’s […]
Essays
From ‘Araromire’ to ‘My Father’s Shadow’: A 21st Century Retrospective Peeling The Layers of Nigerian Cinema at Int’l Festivals
This retrospective traces three defining phases in that evolution, from Araromire to My Father’s Shadow. While this piece focuses on the 21st-century trajectory, it’s important to acknowledge that today’s international recognition is rooted in the groundwork laid long before.
‘Love in a Pandemic’ Review: Nigerian Stories Make Good Rom-coms and This One Starring Nancy Isime is Just That
The most popular response to the pandemic around the world was lockdowns aimed to curb the spread of the virus. Nigeria was not left out. Immediately after the first few cases were confirmed, a nationwide […]
‘A Sunday Affair’ Review: EbonyLife’s Latest Romantic Drama Suffers From More Than a Lack of Attention to Detail
A Sunday Affair follows two friends as they fall for the same complicated man. This situation tests their loyalty to each other in the face of a heartbreaking revelation.
Moshood Fattah on His ‘Far From Home’ and ‘Battle on Buka Street’ Experience, Stage Acting Background and Directing Aspirations
EXCLUSIVE: Moshood Fattah stole hearts in Netflix’s Far From Home (FFH) series, where he plays Michael, financial and advisory support to our lead Ishaya. A lot of Nigerian viewers have expressed how impressed they were […]
A ‘Dark October’ Essay: Linda Ikeji and the Mob
According to SBM, there have been 391 mob killings in Nigeria since 2019. In May 2022, a young lady, Deborah Yakubu, was stoned to death and then immolated in Northern Nigeria. And as recently as […]
‘Tainted Canvas’ Review: Segilola Ogidan’s Family Drama Has an Important Message But Fumbles In Its Thematic Execution
The day before I saw Tainted Canvas, I settled down to watch Babylon (2022), the latest outing from Damien Chazelle, known for La La Land (2017) and Whiplash (2014). I say ‘settled down’ because at […]
