Kunle Afolayan has announced the commencement of production on a new project, Ijogbon, written by frequent collaborator Tunde Babalola, heading to Netflix. Ijogbon follows four teenagers—3 boys and 1 girl—from a rural village in South-West […]
In recent years, one of the most committed crimes in Nigeria has been kidnapping, with an increase in the number of reported kidnapping cases, including a recent high profile case where passengers on an Abuja […]
We apologize for the tardiness. The start of 2023 took us by storm and we decided to take a step back to reassess and strategize ahead of what should be an exciting Nollywood year, filled […]
We have broken down all of the individual votes that were counted as part of the 2022 What Kept Me Up Critics Poll. You can find the full list of this year’s results here. Events […]
The Milkmaid, a 2020 release that finally became accessible through Amazon Prime Video, leads the pack in this list of the 10 best movies from 2022. Juju Stories and Eyimofe were not added to the […]
Deals were signed. Awards were won. Blockbusters were created. And most excitingly, a film by a homegrown Nigerian filmmaker is heading to a prestigious festival for its world premiere and in competition. 2022 has been […]
On a small scale, like your neighborhood pastor whose altar was discovered to have a pot buried beneath it or Muslim clerics who were found to have been abusing wards placed in their care, and […]
Showmax announces a new original telenovela, Wura, with the release of a teaser trailer. Wura, an adaptation of the hit South African 1Magic telenovela series The River, will premiere on January 26, 2023, with four […]
The latest information on Shanty Town is that it will finally premiere on Netflix on January 20 as a limited series. This will possibly mark the first brand-new release heading to the streamer in 2023. […]
My exams ended on December 9, 2022, and the S16 Film Festival started film screening on December 10, 2022. Ogun state is about 2 hours away from Lagos. But when you factor in the ever-present […]
