In 2009, when flip phones were still a thing and the world hadn’t been taken over by Instagram and TikToks,…
Browsing: reviews
From King of Thieves to Jagun Jagun, House of Gaa and Lisabi, Femi Adebayo is no stranger to the Yoruba…
After the culmination of the Merry Men series last year (hopefully), Ayo Makun is back with another comedy thriller in…
In a retrospective I wrote last year, I hailed Isoken as Jade Osiberu’s best film and praised how well it…
Cinema is a specificity of vision. It’s an approach in which everything matters. It’s the polar opposite of generic or…
Let’s get this out of the way: Suspicion is a terrible title, especially for what turns out to be a…
When the average Nigerian describes the personnel of the Nigerian military, they would most likely conjure up a fearful image…
AFRIFF: In Out of Breath, there is an almost fairytale-like quality to its story that sacrifices the complications and nuances…
For a film to fulfill a purpose of sorts, it must have a soul—a certain essence that brews as images…
AFRIFF: The ambiguity of spirituality has always been a point of conversation in Kunle Afolayan’s films. One of his most…