When you build mystery in a film, there is an important balance between drawing in your audience with questions and never showing your hand too early. You navigate with the cinematic equivalent of a poker […]
“You’re a witch!” Imuetiyan, the film’s protagonist, blurts out during an emotionally charged argument with her mother (Mercy Aigbe). Unfazed by this accusation, her mother responds wryly that she is indeed a witch and she […]
Suky opens in a boxing ring, where Adigun (Tobi Bakre) is instructing a group of young fighters with the assured discipline of a man who has survived too much and seen too little change. Among […]
Ori Rebirth, a reboot of the beloved Ori (2004), brings back Muyiwa Ademola as Bisade in an ambitious outing that painfully untethers itself from the Yoruba classic in crucial spots. With its reflective meditation on […]
There is a tug of war, a push and pull like the tide of an ocean, that exists at the centre of The Fisherman, the feature debut by Zoey Martinson. It swings between youth and […]
Olumotan: The Trial of the Storyteller begins with a certain kind of awareness. First, there seems to be a breaking of the fourth wall by the storyteller played by Sola Sobowale, and then a multicultural […]
In For Maria: Ebun Pataki (2020), a pediatrician tells new mother Derin, “Babies cry. It’s what they do,” when she questions her infant’s incessant tears. The cries disrupt Derin’s sleep, heighten her panic, and fray […]
In The Fire and The Moth, the western town it is set in is presented with a sweeping calmness. There are gorgeous aerial shots and expert framings that keep the town rested but not docile. […]
The South African and Nigerian love story in Soft Love is put into motion once Zandi`’s groom runs away on the morning of their wedding, setting up a tale of romance, friendship and family that […]
In many parts of the world, single women face pressure to marry, often from a young age. Cultural expectations, like a mother critiquing her teenage daughter’s cooking with, “Is this how you’ll make semo in […]
