AFRIFF: The ambiguity of spirituality has always been a point of conversation in Kunle Afolayan’s films. One of his most popular films, The Figurine, places you in a conundrum at the end where you wonder […]
AFRIFF: In Freedom Way, we are presented with a lesson in the ripple effect of bad governance. The ways policies affect all levels of society are on display: the poor who long for the most […]
AFRIFF: Poverty is a deeply Nigerian condition. It weaves through our lives, some with worse wear than others; but there is no existence in Nigeria not impacted by poverty. It is also an orchestrated condition, […]
AFRIFF: Music exists at the core of Uche Aguh’s Dynamite, a short film in which a music star`s facade of perfection dissolves as she finds new love in the most familiar of places: her band. […]
AFRIFF: To weave a fictionalized past and present into a working tapestry of film is a test of many aspects of the process: the writing must be tight and every excess must be trimmed; the […]
AFRIFF: To adapt a book is a struggle of ideas, to adapt a Soyinka book is a struggle of ideas and style, to adapt The Man Died is a struggle of ideas, style, form and […]
Hijack ‘93 opens with “This film is a fictionalised interpretation of actual events”. When a film begins with such a disclaimer, it gets its audience invested in the story unfolding before them, especially if it’s […]
Anger is a powerful catalyst for change. A teenage girl’s forced marriage to an older man sparks outrage among a group of market women, resulting in a collective decision to deny their husbands any sexual […]
When the lens of Clarence Peters isn’t capturing stunning music videos, it periodically gives a shot at Nollywood. A visual storyteller, Peters’ creative canvas extends beyond the realm of award-winning music videos. His short film […]
Lísàbí: The Uprising is an ambitious attempt to bring the story of Lísàbí Agbongbo Akala, the legendary Yoruba hero, to the screen. Loosely based on the actual historical event, the Netflix film showcases Lísàbí’s defiance […]