Almost exactly a year after debuting Zikoko Life, Big Cabal Media has unveiled the anthology’s second edition (as stylized), which will begin rolling out on YouTube from July 25. Alongside the announcement, What Kept Me Up can exclusively reveal first-look stills from the three new films.
One look across festivals so far this year, for me as a Nigerian, has been the presence of Nigerian documentaries in their lineups. Festivals serve as a good place for them to start their run, […]
Ghanaian filmmaker Amartei Armar‘s feature film Ego Reach We All (Our Time Will Come), formerly known as Vagabonds, has been selected for the Concorso Cineasti del Presente competition at the 79th Locarno Film Festival, where […]
Nigerian filmmaker Adé Sultan Sangodoyin‘s We Must Begin Again, Together will make its world premiere at the 23rd edition of Afrika Film Festival Köln, which runs from September 17–27, 2026, in Cologne, Germany. As part […]
A look at the titles on our Nigerian Films of the Year So Far list reveals a striking trend. Women drive many of the stories. Across narratives that explore ethnic and religious tensions, housing struggles, […]
Nigerian filmmaker Dika Ofoma’s Kachifo (Till the Morning Comes) has secured NOK 600,000 (approximately USD 64,000) in production support through Norway’s Sørfond 2026 fund, adding a new international partner to the feature project as it […]
Following its launch at the S16 Film Festival in 2025, the AFP Critics Prize is heading next to the Open Doors Screenings at the Locarno Film Festival as an award partner, where it will be […]
Among the selections for the 2026 edition of Open Doors at the Locarno Film Festival, Nigerian and Ghanaian projects are in the mix, following last year’s participation by Dika Ofoma and Blessing Uzzi, as well […]
Mildred Okwo (La Femme Anjola) returns to cinemas after five years with On Different Grounds, a romantic dramedy produced by Nicole Ndigwe (Before Valentine’s) under her HB&Q Impressions banner. The film’s official trailer arrives ahead […]
NollywoodWeek 2026 felt like a series of conversations about what African cinema needs, in order to travel further, sound better, sustain creators, and compete globally without losing its specificity. That was my biggest takeaway from […]