Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. The epigraph at the pilot episode of Princess On A Hill poses […]
How can Black voices across continents reunify in a world shaped by colonialism and exploitation? This is the central question posed by BLKNWS: Terms and Conditions, an ambitious, experimental documentary by acclaimed visual artist Kahlil […]
We live in volatile times, many are quick to point out. But haven’t we always? There’s always a looming conflict on the horizon or one raging in the background, whether or not it receives media […]
In 2009, when flip phones were still a thing and the world hadn’t been taken over by Instagram and TikToks, Toyin Abraham released the first instalment in the Alakada franchise, which slithered its way into […]
From King of Thieves to Jagun Jagun, House of Gaa and Lisabi, Femi Adebayo is no stranger to the Yoruba language films that have enjoyed mainstream popularity in recent times. His onscreen presence is often […]
After the culmination of the Merry Men series last year (hopefully), Ayo Makun is back with another comedy thriller in The Waiter. Although AY says this film is different from his previous movies, between the […]
In a retrospective I wrote last year, I hailed Isoken as Jade Osiberu’s best film and praised how well it executed its premise: “[this is] a simple romantic story, Russian-dolled in another one about self-confidence, […]
From December 10th to 13th, at Alliance Française, Lagos, the S16 Film Festival marked its fourth edition to welcoming embrace. Four years since its genesis (ideated by the S16 Collective trio of Abba T. Makama, […]
The day after Everybody Loves Jenifa had its theatrical release, I went to my local cinema looking to purchase a ticket. The only thing the attendant had to offer, however, was disappointment: “Come back tomorrow. […]
Cinema is a specificity of vision. It’s an approach in which everything matters. It’s the polar opposite of generic or arbitrary and the result is as unique as a signature or a fingerprint. It isn’t […]
Let’s get this out of the way: Suspicion is a terrible title, especially for what turns out to be a good film. Apparently, the film started out as a short released in 2008, titled The […]
When the average Nigerian describes the personnel of the Nigerian military, they would most likely conjure up a fearful image of a camouflage-wearing brute, barking orders that are often reinforced with physical violence and the […]
It was always going to be an extraordinary feat to bring the titular toy owned by Mattel Inc. to the silver screen. Partly because, with time, Barbie has gained a lot of significance in pop […]
Growing up, some of the most popular films of Yoruba Nollywood were historical period films which included epics. Though mostly low budget and with questionable production quality, we enjoyed them for the action, the depiction […]
We have seen many films like Juel Taylor’s feature debut, and they all fall into a common subgenre, blaxploitation, a genre of film born in the 70s. Common features of this genre are black protagonists, […]
The first episode of Fatal Seduction begins with a montage of sexual scenes that will appear later on in the show: a man taking off a woman’s underwear, two naked bodies sprawled on a car […]
If you were born before the 2000s, you would be familiar with a brand of Nollywood romance films that were very popular in the early 2000s. They told stories of playboys, loverboys, beautiful women looking […]
Ambition as a filmmaker can be a double-edged sword, showcasing the vastness of their art and years of craft, while also exposing limitations. For renowned director Niyi Akinmolayan, ambition has been a driving force throughout […]
Romance pervades every form of art—literature, theatre, painting, film, etc. In fact, it pervades all sense of human life, which is why a well-told romantic story strikes a chord with viewers regardless of when, where, […]
I never thought I’d say this: Almajiri is a better exposé on some of the heinous things that go bump in the country’s dark underbelly of violence and crime than Gangs of Lagos or Shanty […]
Watching movies like Extraction feels like a desiderate trip down memory lane, an attempt to capture and revive the essence of a film genre that seems to have been lost. The hero of the Extraction […]
Daddy begins in a Taken-esque manner: daughter gets kidnapped and the father has to do all he can to get his daughter back. This desperation of a father to save his child is the overriding […]
