Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. The epigraph at the pilot episode of Princess On A Hill poses […]
How can Black voices across continents reunify in a world shaped by colonialism and exploitation? This is the central question posed by BLKNWS: Terms and Conditions, an ambitious, experimental documentary by acclaimed visual artist Kahlil […]
We live in volatile times, many are quick to point out. But haven’t we always? There’s always a looming conflict on the horizon or one raging in the background, whether or not it receives media […]
In 2009, when flip phones were still a thing and the world hadn’t been taken over by Instagram and TikToks, Toyin Abraham released the first instalment in the Alakada franchise, which slithered its way into […]
From King of Thieves to Jagun Jagun, House of Gaa and Lisabi, Femi Adebayo is no stranger to the Yoruba language films that have enjoyed mainstream popularity in recent times. His onscreen presence is often […]
After the culmination of the Merry Men series last year (hopefully), Ayo Makun is back with another comedy thriller in The Waiter. Although AY says this film is different from his previous movies, between the […]
In a retrospective I wrote last year, I hailed Isoken as Jade Osiberu’s best film and praised how well it executed its premise: “[this is] a simple romantic story, Russian-dolled in another one about self-confidence, […]
From December 10th to 13th, at Alliance Française, Lagos, the S16 Film Festival marked its fourth edition to welcoming embrace. Four years since its genesis (ideated by the S16 Collective trio of Abba T. Makama, […]
The day after Everybody Loves Jenifa had its theatrical release, I went to my local cinema looking to purchase a ticket. The only thing the attendant had to offer, however, was disappointment: “Come back tomorrow. […]
Cinema is a specificity of vision. It’s an approach in which everything matters. It’s the polar opposite of generic or arbitrary and the result is as unique as a signature or a fingerprint. It isn’t […]
Let’s get this out of the way: Suspicion is a terrible title, especially for what turns out to be a good film. Apparently, the film started out as a short released in 2008, titled The […]
When the average Nigerian describes the personnel of the Nigerian military, they would most likely conjure up a fearful image of a camouflage-wearing brute, barking orders that are often reinforced with physical violence and the […]
Kunle Afolayan’s fantasy drama series, Anikulapo: Rise of the Spectre, picks up brilliantly from where the pilot (the 2022 Anikulapo) ends. After the protagonist Saro (Kunle Remi), the horny-minded, son of suffering enriched by his […]
Daniel Bell-Gam’s short film, Are You Really Fine, is a calm, reflective vista of the ocean and a panoply of lovely visuals. It is a work of technical integrity, a beautiful piece with similar subjects […]
Taiwo Egunjobi’s third feature film, A Green Fever, stretches his oeuvre of small to medium-sized cast films set in sleepy towns or small locations, featuring various noir-inspired characters. In this submission, Egunjobi plays with a […]
I was a bit pumped to see Temitope Akinbode’s On The Edge. The trailer gave off a sense of intrigue, but mostly because Uzor Arukwe, one of my favourite Nollywood actors, was cast as one […]
Following the trail of great classics about body switches like The Hot Chick (2002) and Prelude to a Kiss (1992), Uyoyou Adia’s Life, which she writes and directs, is a moral drama about contentment. The […]
Forgive the title. It is a little judgemental and suggests there is a behavior associated with people who wear this hairstyle, but I am only being an annoying Nigerian elder. Just like how certain hairstyles […]
One would be forgiven if they concluded that Slum King was a Gangs of Lagos spinoff. It is a good comparison. Gangs of Lagos carries its weight, and if read a certain way, it might […]
From Get Out to Midsommar, the dilution of narrative tropes is a filmmaking staple. It is a misdirection technique to heighten or spotlight a specific element within the film. Coupled with being a great, slow-burner […]
In the 2021 biopic Ayinla, the first time Lateef Adedimeji meets Omowunmi Dada, his legs involuntarily lift off the floor and he pauses his singing because this regal beauty has taken up space and commanded […]
Dinner is a 2016 movie written and directed by Jay Franklyn Jituboh (The Origin: Madam Koi-Koi). It stars Okey Uzoeshi, Keira Hewatch, Eyinma Nwigwe, Deyemi Okanlawon, and Kehinde Bankole as its principal characters. Making special […]
