Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. The epigraph at the pilot episode of Princess On A Hill poses […]
How can Black voices across continents reunify in a world shaped by colonialism and exploitation? This is the central question posed by BLKNWS: Terms and Conditions, an ambitious, experimental documentary by acclaimed visual artist Kahlil […]
We live in volatile times, many are quick to point out. But haven’t we always? There’s always a looming conflict on the horizon or one raging in the background, whether or not it receives media […]
In 2009, when flip phones were still a thing and the world hadn’t been taken over by Instagram and TikToks, Toyin Abraham released the first instalment in the Alakada franchise, which slithered its way into […]
From King of Thieves to Jagun Jagun, House of Gaa and Lisabi, Femi Adebayo is no stranger to the Yoruba language films that have enjoyed mainstream popularity in recent times. His onscreen presence is often […]
After the culmination of the Merry Men series last year (hopefully), Ayo Makun is back with another comedy thriller in The Waiter. Although AY says this film is different from his previous movies, between the […]
In a retrospective I wrote last year, I hailed Isoken as Jade Osiberu’s best film and praised how well it executed its premise: “[this is] a simple romantic story, Russian-dolled in another one about self-confidence, […]
From December 10th to 13th, at Alliance Française, Lagos, the S16 Film Festival marked its fourth edition to welcoming embrace. Four years since its genesis (ideated by the S16 Collective trio of Abba T. Makama, […]
The day after Everybody Loves Jenifa had its theatrical release, I went to my local cinema looking to purchase a ticket. The only thing the attendant had to offer, however, was disappointment: “Come back tomorrow. […]
Cinema is a specificity of vision. It’s an approach in which everything matters. It’s the polar opposite of generic or arbitrary and the result is as unique as a signature or a fingerprint. It isn’t […]
Let’s get this out of the way: Suspicion is a terrible title, especially for what turns out to be a good film. Apparently, the film started out as a short released in 2008, titled The […]
When the average Nigerian describes the personnel of the Nigerian military, they would most likely conjure up a fearful image of a camouflage-wearing brute, barking orders that are often reinforced with physical violence and the […]
“I regret being a Nigerian,” says Chidiebere Nnanna. Who can blame him; he is one of the 50,000 people who have been remanded in prison unjustly without any charge. Chidiebere in particular was kept in […]
Oh my, where do we begin? Weather For Two, a 2021 film, was released on Netflix on the 25th of November 2022, and after sitting (forced by duty) for the entire hour and nine minutes […]
Chima (Timini Egbuson) in a conversation with Jubril (Paul Utomi), out of desperation, describes Nigeria as a sea of sadness, and that is what director Utomi set out to do with Country Hard. This film […]
The Griot joins the list of culturally themed Nollywood film releases in 2022, as the year seems to be a year of introspection for Nollywood, with many filmmakers deciding to tell original traditional stories. Adedimeji […]
There’s a moment in Ema Edosio Deelen’s Otiti, where the titular protagonist is passing through a market, and as is the unfortunate practice in a lot of Nigerian markets, she is being touched and pulled […]
In 2018 Marvel’s theatrical release of Black Panther created a buzz in the film community—a spectacle never before seen, a black superhero in a fictional African nation getting their own movie. As a cultural statement, […]
Written and directed by Abu-bkr Adamu, in this short horror film, three friends, Haidar (Abdullahi Mohamed Tauheed), Dare (Sylvester Uduku Umoru) and Bolaji (Israel Bartholomew) spurred by post exams boredom and a horror movie, decide […]
One emotion we humans are all too familiar with is pain. The happiness or excitement we experience cannot go on too long without being interrupted by something painful, such as a breakup, losing a job […]
Let us begin with this: You don’t need to have read Aristotle’s “Poetics”, have a thorough knowledge of Soyinka’s Fourth Stage theorem, or be an expert at Dramatic Theory and Criticism to understand and enjoy […]
Samaria is a highly subversive film and a particularly good one at that. If a film is subversive or if it “subverts expectations,” this means that it uses plot twists in its story to surprise […]
