BFI: Idris Elba’s directorial effort Dust to Dreams, produced by Mo Abudu for EbonyLife Films, arrives with a premise brimming with potential. In execution, however, the acclaimed actor’s 20-minute short film amounts to little more […]
Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. The EbonyLife and Netflix partnership has been one fraught with many announcements and few […]
Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. After topping the box office as the highest-grossing cinema in West Africa in 2024, […]
Mo Abudu has officially announced a second season of Netflix Original Series Blood Sisters. According to the Instagram Post, the series produced by EbonyLife studios and co-led by Nancy Isime and Ini Dima Okojie will […]
The growing dominance of female filmmakers in Nollywood shows a significant rise in women’s participation in the Nigerian film industry. Over the years, women have increasingly taken on roles as directors, screenwriters, and producers, driven […]
In the business of striking groundbreaking industry deals, no one does it like Mo Abudu. From hosting the popular talk show Moments With Mo to becoming the first woman to launch a pan-African TV channel, […]
Kenneth Gyang’s long-awaited Oloture: The Journey picks up where the original left off. Oloture (Sharon Ooja) is trapped in a bus with other exploited women and their traffickers. Oloture: The Journey is one of Kenneth […]
Oloture, premiering on Netflix in 2020, ends on a despondent note. A bus crosses the Seme border and slowly but surely recedes into the horizon, taking its helpless female occupants into what likely will be […]
A Sunday Affair follows two friends as they fall for the same complicated man. This situation tests their loyalty to each other in the face of a heartbreaking revelation.
Let us begin with this: You don’t need to have read Aristotle’s “Poetics”, have a thorough knowledge of Soyinka’s Fourth Stage theorem, or be an expert at Dramatic Theory and Criticism to understand and enjoy […]
