It would seem an overstatement to term Saworoide the most important political movie in Nollywood’s history. Released in 1999, more than two decades ago, with a portion of its cast either aged or deceased, our establishing sentence is bound to be met with umbrage. The film itself was scripted by the late Yoruba novelist, Akinwunmi Ishola, who also authored the material the film was adapted from; and it was directed by Tunde Kelani—a partnership that scored gold numerously until the novelist passed away. If the obvious reasons for the film’s greatness—two ingenious artists at its creative helm; a potent source…
Author: olamideadio
Play Network Studios is leaving a trail of remakes. It opened with Living in Bondage, then Rattlesnake: the Ahanna Story, and now Nneka the Pretty Serpent.
Ferdinando Cito Filomarino’s latest film, Beckett, is the classic wrong place at the wrong time.
The entirety of Quam’s Money feels like an elongated music video that was badly directed.
Damilola Orimogunje wants his stories to transcend geographical locations, and he won’t let political correctness dictate his craft.
Today, there is a dearth of historical dramas amongst contemporary Nollywood output, but this hasn’t always been the case
This acquisition might appear not to be a win, but as a friend said, “What can we say? The film will most probably be made anyway.”
Now streaming on Netflix.
A Nigerian-Norwegian 2018 production.
An open letter to Nollywood. #DearNollywood #InPraiseOfCriticism