Spoilers Ahead! Morning, Morning S16 Film Festival: Morning, Morning by Gozirimuu Obinna is a quiet, black-and-white ache. It is a film where no one speaks, yet everything is said through eyes that flinch, bodies that hesitate, […]
AFRIFF: A first feature often defines the trajectory of a director’s career. It shapes how audiences will come to perceive their work and what threads they’ll follow through subsequent projects. For The Boy Who Gave, […]
AFRIFF: There are familiar patterns in history, events that repeat themselves with little to no variations, circumstances that mothers and daughters will experience and moments that nations will often not learn from. With Lace Relations, […]
AFRIFF: There is no scarcity of bodies in Son of the Soil. Bleeding and strewn across the streets; glistening with sweat, tears and blood; running and ramming into each other; it’s a visceral violence that […]
When artists cannot change the world, they bicker. Functioning otherwise as actor, writer and co-producer on the project, Temilolu Fosudo brings an energy easy to root for in his directing of this three-man hassle that […]
SVAFF: Memory is a fickle thing. It is tasked with defining who we are and the stories we tell, but it is also inherently unreliable; to remember something is to contort it, to change it […]
BFI: Vincho Nchogu‘s debut feature One Woman One Bra is a sardonic examination of intersecting failures that ensnare vulnerable women in rural Africa: archaic patriarchal systems, predatory NGO culture, and the performative benevolence of white […]
BFI: Idris Elba’s directorial effort Dust to Dreams, produced by Mo Abudu for EbonyLife Films, arrives with a premise brimming with potential. In execution, however, the acclaimed actor’s 20-minute short film amounts to little more […]
When Kayode Kasum released Afamefuna: An Nwa Boi Story in 2023, it sparked a cultural moment, particularly among Igbo audiences who celebrated its homage to the Igbo apprenticeship system (nwa boi), a notable concept of […]
Venice: Saint Simeon, written and directed by Olubunmi Ogunsola, begins with a last supper reminiscent scene. There is food, there are disciples of the church, and just like in the gospel, there’s a secret —this […]
