AFRIFF: In Freedom Way, we are presented with a lesson in the ripple effect of bad governance. The ways policies…
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AFRIFF: Poverty is a deeply Nigerian condition. It weaves through our lives, some with worse wear than others; but there…
AFRIFF: Music exists at the core of Uche Aguh’s Dynamite, a short film in which a music star`s facade of…
AFRIFF: To weave a fictionalized past and present into a working tapestry of film is a test of many aspects…
AFRIFF: To adapt a book is a struggle of ideas, to adapt a Soyinka book is a struggle of ideas…
Hijack ‘93 opens with “This film is a fictionalised interpretation of actual events”. When a film begins with such a…
Anger is a powerful catalyst for change. A teenage girl’s forced marriage to an older man sparks outrage among a…
When the lens of Clarence Peters isn’t capturing stunning music videos, it periodically gives a shot at Nollywood. A visual…
Lísàbí: The Uprising is an ambitious attempt to bring the story of Lísàbí Agbongbo Akala, the legendary Yoruba hero, to…
In Charlotte Mew’s 1912 poem “The Farmer’s Bride,” a farmer muses over his marriage to a much younger maiden who…