Dear reader, help us understand your Nollywood preferences by filling out our audience survey—your input is invaluable and deeply appreciated! Click this link. The epigraph at the pilot episode of Princess On A Hill poses […]
How can Black voices across continents reunify in a world shaped by colonialism and exploitation? This is the central question posed by BLKNWS: Terms and Conditions, an ambitious, experimental documentary by acclaimed visual artist Kahlil […]
We live in volatile times, many are quick to point out. But haven’t we always? There’s always a looming conflict on the horizon or one raging in the background, whether or not it receives media […]
In 2009, when flip phones were still a thing and the world hadn’t been taken over by Instagram and TikToks, Toyin Abraham released the first instalment in the Alakada franchise, which slithered its way into […]
From King of Thieves to Jagun Jagun, House of Gaa and Lisabi, Femi Adebayo is no stranger to the Yoruba language films that have enjoyed mainstream popularity in recent times. His onscreen presence is often […]
After the culmination of the Merry Men series last year (hopefully), Ayo Makun is back with another comedy thriller in The Waiter. Although AY says this film is different from his previous movies, between the […]
In a retrospective I wrote last year, I hailed Isoken as Jade Osiberu’s best film and praised how well it executed its premise: “[this is] a simple romantic story, Russian-dolled in another one about self-confidence, […]
From December 10th to 13th, at Alliance Française, Lagos, the S16 Film Festival marked its fourth edition to welcoming embrace. Four years since its genesis (ideated by the S16 Collective trio of Abba T. Makama, […]
The day after Everybody Loves Jenifa had its theatrical release, I went to my local cinema looking to purchase a ticket. The only thing the attendant had to offer, however, was disappointment: “Come back tomorrow. […]
Cinema is a specificity of vision. It’s an approach in which everything matters. It’s the polar opposite of generic or arbitrary and the result is as unique as a signature or a fingerprint. It isn’t […]
Let’s get this out of the way: Suspicion is a terrible title, especially for what turns out to be a good film. Apparently, the film started out as a short released in 2008, titled The […]
When the average Nigerian describes the personnel of the Nigerian military, they would most likely conjure up a fearful image of a camouflage-wearing brute, barking orders that are often reinforced with physical violence and the […]
Cinema seems more suited to recollection than any other art form. Unlike photography, which deals in still images, film unfolds across time, evoking more powerfully the eerie feeling of being pulled into the past and […]
Everyone speaks in Tolu Ajayi’s Over the Bridge: the characters with their voices, and the rivers, the fishes, the music with their own voice. No direct communication passes between them, yet meaning emerges all the […]
When Kayode Kasum released Afamefuna: An Nwa Boi Story in 2023, it sparked a cultural moment, particularly among Igbo audiences who celebrated its homage to the Igbo apprenticeship system (nwa boi), a notable concept of […]
Venice: Saint Simeon, written and directed by Olubunmi Ogunsola, begins with a last supper reminiscent scene. There is food, there are disciples of the church, and just like in the gospel, there’s a secret —this […]
Olamide Adio and Victor Daniel make one of the simplest yet complex films. Mother, their latest short film, has all the elements of a simple love story, but it’s about a forbidden one. Known for […]
PLS RT begins with Kasope Briggs captured in a wooden crate; frightened, unaware of her location and begging to be released. She brings out her phone to make a video to try and upload to […]
BlackStar: One of the philosophies I hold closely about cinema is that it belongs to everybody. It’s a medium open not only to the mainstream but also to the storytellers on the fringes, whether they’re […]
BlackStar: In the Rashida Seriki-written and directed short film, nostalgia is a vehicle both literally and figuratively. The couple drive through Lagos in a vintage Mercedes Benz revisiting the past through symbolic stops like the […]
BlackStar: Chisom Chieke’s short film unfolds almost uncertainly, like a painting in progress whose artist is in conflict with their muse. There is a quiet tension that simmers within Adanma (Karen Obilom) and Trey (Marcus […]
The top comment in one of the Zikoko Life shorts reads, “Please, shoot more videos. This struck my heart. I’m in my 40s, and yet, I know love will find me.” The film being referred […]