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Breaking
Preview of January Movies and TV Shows
‘Osamede’ Review: Ivie Okujaye’s Magic is Dimmed in Dulled-Down Epic
Can Africa’s Creative Industries Outgrow Their Governments?
Rediscovering ‘A Lagos Love Story Original Soundtrack’: How Mike Afolarin and Producer Impvlse Bring King Kator to a Musical Life
Funke Akindele, Toyin Abraham, and Niyi Akinmolayan Lead FilmOne’s December Lineup Tease
New Documentary ‘Model Citizen’ Spotlights Nigerian Models and Their Working Conditions
SVAFF 2025: ‘Lights Out’ Review
Film Mischief 2025: Our Festival Recap, Standout Creatives and Award Winners
With Ticket Prices Rising, Community Cinema Could Be Nollywood’s Affordable Alternative
Kenyan-Nigerian Film ‘One Woman One Bra’ Wins 2025 Sutherland Award at BFI London Film Festival
Film Mischief 2025: ‘Beyond Olympic Glory’ Review (Short Documentary)
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Top Posts
‘Osamede’ Review: Ivie Okujaye’s Magic is Dimmed in Dulled-Down Epic
October 29, 2025
Can Africa’s Creative Industries Outgrow Their Governments?
October 28, 2025
Rediscovering ‘A Lagos Love Story Original Soundtrack’: How Mike Afolarin and Producer Impvlse Bring King Kator to a Musical Life
October 28, 2025
Funke Akindele, Toyin Abraham, and Niyi Akinmolayan Lead FilmOne’s December Lineup Tease
October 24, 2025
New Documentary ‘Model Citizen’ Spotlights Nigerian Models and Their Working Conditions
October 23, 2025
SVAFF 2025: ‘Lights Out’ Review
October 22, 2025
Film Mischief 2025: Our Festival Recap, Standout Creatives and Award Winners
October 21, 2025
With Ticket Prices Rising, Community Cinema Could Be Nollywood’s Affordable Alternative
October 21, 2025
Kenyan-Nigerian Film ‘One Woman One Bra’ Wins 2025 Sutherland Award at BFI London Film Festival
October 20, 2025
Film Mischief 2025: ‘Beyond Olympic Glory’ Review (Short Documentary)
October 19, 2025
Film Mischief 2025: ‘Wrong Way’ Review (Short Film)
October 19, 2025
Film Mischief 2025: ‘Tell it No More’ Review (Short Film)
October 19, 2025
Film Mischief 2025: ‘Cause, Effect, and Maybe Consequences?’ Review (Short Film)
October 18, 2025
Judith Audu and Uyoyou Adia Reunite on New Afrobeats Drama ‘EVI’, Eyeing 2026 Release
October 17, 2025
Film Mischief 2025: ‘Fofo Means Father’ Review (Short Documentary)
October 16, 2025
Film Mischief 2025: ‘Behind The Smile’ Review (Short Film)
October 16, 2025
BFI London Film Festival 2025: ‘One Woman One Bra’ Review
October 15, 2025
Film Mischief 2025: Festival Director Precious Iroagalachi Discusses The Festival’s Theme, Films Selection and Pan-African Collaborations
October 13, 2025
AMAA 2025 Nominations: ‘Lisabi’, ‘3 Cold Dishes’, ‘Freedom Way’ Lead The Line for Nigeria
October 12, 2025
10 Key Details About ‘Osamede’, the Edo Epic Arriving October 2025
October 10, 2025
BFI London Film Festival 2025: ‘Dust To Dreams’ Review (Short Film)
October 9, 2025
‘Cock Crow At Dawn’ Remake: Writers’ Room Opens in October, Shooting to Begin in Jos in 2026
October 9, 2025
The Filmjoint Awards 2026: Wapah Ezeigwe’s ‘Shall We Meet Tonight’ Earns Most Nominations (See Full List)
October 8, 2025
TV Shows
‘Cock Crow At Dawn’ Remake: Writers’ Room Opens in October, Shooting to Begin in Jos in 2026
October 9, 2025
New in Nigeria: Movies and TV Shows to Watch this October 2025
October 1, 2025
New in Nigeria: Movies and TV Shows to Watch this September 2025
September 1, 2025
What Makes Sequels So Hard to Get Right?
August 11, 2025
‘Zikoko Life’ Review: Big Cabal and Bluhouse Studios Reimagine Women-Centred Stories in a Refreshing Anthology Series
August 4, 2025
New in Nigeria: Movies and TV Shows to Watch this August 2025
August 4, 2025
Ogranya Charms as the Ideal Romcom Lead in Dika Ofoma’s ‘Something Sweet’
July 31, 2025
‘To Kill A Monkey’ Review: A Pale Imitation of What Once Made Kemi Adetiba Exciting
July 28, 2025
New in Nigeria: Movies and TV Shows to Watch this May 2025
May 2, 2025
AMVCA 2025 Predictions: WKMUp Editors vs Audience
April 29, 2025
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