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Preview of January Movies and TV Shows No Nigerian Title in Berlinale 2026 Main Competition Lineup, Strong Presence in Other Sections Sundance 2026: Olive Nwosu’s ‘Lady’ Review Is Nollywood’s Future on the Big Screen or Online? Short Film Review: Uchenna Ugwu’s ‘I Too, Crave Death’ Carries Heart and Soul, But Burdened By Visual Impatience Our Most Anticipated Nigerian Titles of 2026 EbonyLife’s ‘The Secret Lives of Baba Segi’s Wives’ Screen Adaptation Now Headed to Cinemas Nigerian Titles and Talents to Look Out for at Early 2026 Film Festivals Funke Akindele Dominates Nigerian Box Office as ‘Behind The Scenes’ Hits 2 Billion Naira 2025 Year-In-Review: Getting to Know What Kept Me Up Team Members New in Nigeria: Movies and TV Shows to Watch this January 2026

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No Nigerian Title in Berlinale 2026 Main Competition Lineup, Strong Presence in Other Sections

Sundance 2026: Olive Nwosu’s ‘Lady’ Review

Is Nollywood’s Future on the Big Screen or Online?

Short Film Review: Uchenna Ugwu’s ‘I Too, Crave Death’ Carries Heart and Soul, But Burdened By Visual Impatience

Our Most Anticipated Nigerian Titles of 2026

EbonyLife’s ‘The Secret Lives of Baba Segi’s Wives’ Screen Adaptation Now Headed to Cinemas

Nigerian Titles and Talents to Look Out for at Early 2026 Film Festivals

Funke Akindele Dominates Nigerian Box Office as ‘Behind The Scenes’ Hits 2 Billion Naira

2025 Year-In-Review: Getting to Know What Kept Me Up Team Members

New in Nigeria: Movies and TV Shows to Watch this January 2026

Key Events and Milestones That Shaped Nollywood in 2025

Nollywood’s “Opening Weekend” Problem

‘To Adaego With Love’ Set For Theatrical Release February 2026

Anthill Studios’ Head of VFX and Animation Mary Claudia Nwoga Breaks Down Film Tricks Behind the Magic 

Is Omowunmi Dada Nollywood’s Sweetheart? Or Something More?

These Emerging Nigerian Filmmakers are Having a Great Year

Short Film Review: Jeremiah John’s ‘Market People’ is a Tale of Bodies Seeking Warmth in a Cold World

‘Behind the Scenes’ Review: Funke Akindele’s December Blockbuster is Surely Relatable, Likely to Be Profitable, But Creatively Stuck

PinPoint Productions Confirms ‘Aloma’ as Chris Ihidero’s First Feature Film

Martha Ehinome Completes Production on Her Debut Film ‘Man of Her Dreams’

Our Best Nigerian Films of 2025

Cheta Chukwu’s ‘To Catch a Falling Sky’ Wins Two Awards at Red Sea Souk Project Market

FaithStream and EnfiTV Enter Africa’s Streaming Market With Local Audiences and Creators in Focus

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