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#WithChude Launches Unscripted Content Production Studio, Announces Debut #EndSARS-Focused Documentary ‘Awaiting Trial’ (Watch Trailer)
Chude Jideonwo, the host of #WithChude – a network of media products across TV, Radio, Podcast,…
Everything We Know About ‘Gangs of Lagos’, Jade Osiberu’s Gritty Crime Drama Set for Prime Video
Marking a grand entrance into Nollywood and looking to gain momentum against Netflix, their streaming rival,…
Izu Ojukwu’s Period Drama, ‘4:4:44’, Starring Richard Mofe-Damijo and Nse Ikpe-Etim, Sets November Prime Video Premiere
Izu Ojukwu’s period drama, 4:4:44 (Four Four Forty Four), starring Richard Mofe-Damijo and Nse Ikpe-Etim will…
Obara’m and Inside Life were our Critic’s Picks in September. Following a packed September, new releases…
Kayode Kasum, Korede Azeez and Okwong Fadamana Announced as Jury at the Inaugural Ibadan Indie Film Awards 2022
Kayode Kasum, Korede Azeez and Okwong Fadamana have been announced as the jury at the Inaugural…
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‘King of Boys: The Return of the King’ Review: Protracted Plot Sullies Kemi Adetiba’s Mixed Bag
We must all agree that Kemi Adetiba has had an interesting journey. From directing music videos, to The Wedding Party, then the acclaimed King of Boys and now a Netflix original for a King of Boys series. When one looks closely at the film projects, there are elements of directorial unifications.
Essays
The depictions of villains on screen can be tricky. When done right, they are memorable. And…
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