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Preview of January Movies and TV Shows Therapy Meets The Absurd in First Teaser For Ceero World’s ‘The Anomalous’, Starring Keira Hewatch And Michael Uchegbu  ‘The Stone Drew Ripples’ Review: Faith, Family, and Fraud Collide in an Uneven Drama MIP Africa 2025 Welcomes Filmmaker Submissions for Its Project Pitch Platform Wizkid Documentary ‘Wizkid: Long Live Lagos’ to World Premiere at Tribeca 2025 ‘Labake Olododo’ Review: Stranger Facial Hair, Longer Incantations, Thinner Stories ‘Makemation’ Official Trailer Inspires with A Tale Of Triumph Through Tech Akinola Davies Jr’s ‘My Father Shadow’ Heads To Cannes Uzoamaka is Entering Her Power Era Wapah Ezeigwe’s ‘Shall We Meet Tonight’ Examines Queer Love and Marital Constraint in Contemporary Nigeria ‘Baby Farm’ Review: Might Just Be the Best Thing to Come Out of the EbonyLife-Netflix Deal

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Therapy Meets The Absurd in First Teaser For Ceero World’s ‘The Anomalous’, Starring Keira Hewatch And Michael Uchegbu 

‘The Stone Drew Ripples’ Review: Faith, Family, and Fraud Collide in an Uneven Drama

MIP Africa 2025 Welcomes Filmmaker Submissions for Its Project Pitch Platform

Wizkid Documentary ‘Wizkid: Long Live Lagos’ to World Premiere at Tribeca 2025

‘Labake Olododo’ Review: Stranger Facial Hair, Longer Incantations, Thinner Stories

‘Makemation’ Official Trailer Inspires with A Tale Of Triumph Through Tech

Akinola Davies Jr’s ‘My Father Shadow’ Heads To Cannes

Uzoamaka is Entering Her Power Era

Wapah Ezeigwe’s ‘Shall We Meet Tonight’ Examines Queer Love and Marital Constraint in Contemporary Nigeria

‘Baby Farm’ Review: Might Just Be the Best Thing to Come Out of the EbonyLife-Netflix Deal

How Can African Short Films Become As Widely Spread As Skits?

Nollywood Film Club Asks, “What’s the Future of Nollywood on YouTube Like?”

FAME Shorts Film Festival 2025 Now Open for Submissions

New in Nigeria: Movies and TV Shows to Watch this April 2025

After a Netflix-Focused Era, Kunle Afolayan Brings ‘Recall’ to the Big Screen

Short Film Review: Emily Nkanga’s ‘Yam And Egg’ is a Subtle Invitation to a Private Grief

Kaelo Iyizoba Selected for Sundance Institute Inaugural Cultural Impact Residency

The Balancing Act: How Nollywood’s Momagers Raise Stars and Navigate the Industry

4 Islam-Themed Nollywood Films & Series for Ramadan

Chukwu Martin Unveils ‘GUY’, an Experimental Indie Series on Identity and Isolation

‘Finding Me Review’: Industry’s Missing Craft Can’t Be Papered by Box Office Dazzles on Streaming

Full AMVCA 2025 Nominees List: Femi Adebayo’s ‘Seven Doors’ Leads with 11 Nominations 

Mo Abudu’s EbonyLife Expands Internationally with London Launch in Q4 2025

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