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Breaking
Preview of January Movies and TV Shows
New African Short Film Market AISFM to Hold First Edition in Lagos
How The May Release Window Impacts Nollywood Box Office Performance
Short Film Review: Ifeoma Chukwuogo’s ‘Dear Dija’ Finds Tenderness in The Limits of Young Love
Nigeria in Tribeca Festival 2026 Lineup with ‘One Woman, One Bra’ and ‘Crocodile’
Esiri Brothers’ ‘Clarissa’ Selected for Directors’ Fortnight at Cannes 2026
‘99% Virgin’ Stage Review: Bunmi Awolowo’s Pregnancy-Scare Comedy of Faith and Panic That Doesn’t Quite Commit
The Current State of Film Distribution in Nollywood
How Two Filmmakers Are Trying to Save Cinema From Lagos
Kava vs Circuits vs EbonyLife ON: Which Nigerian Streaming Platform is Worth it So Far?
NollywoodWeek 2026 Unveils First Nigerian Titles and Expands Programme with New Industry Partnerships
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Top Posts
New African Short Film Market AISFM to Hold First Edition in Lagos
April 24, 2026
How The May Release Window Impacts Nollywood Box Office Performance
April 22, 2026
Short Film Review: Ifeoma Chukwuogo’s ‘Dear Dija’ Finds Tenderness in The Limits of Young Love
April 19, 2026
Nigeria in Tribeca Festival 2026 Lineup with ‘One Woman, One Bra’ and ‘Crocodile’
April 16, 2026
Esiri Brothers’ ‘Clarissa’ Selected for Directors’ Fortnight at Cannes 2026
April 14, 2026
‘99% Virgin’ Stage Review: Bunmi Awolowo’s Pregnancy-Scare Comedy of Faith and Panic That Doesn’t Quite Commit
April 14, 2026
The Current State of Film Distribution in Nollywood
April 12, 2026
How Two Filmmakers Are Trying to Save Cinema From Lagos
April 7, 2026
Kava vs Circuits vs EbonyLife ON: Which Nigerian Streaming Platform is Worth it So Far?
April 5, 2026
NollywoodWeek 2026 Unveils First Nigerian Titles and Expands Programme with New Industry Partnerships
April 2, 2026
Nigeria–Kenya Film Collaborations Continue with Cheta Chukwu’s ‘The Child Will Carry You’, Ella Chikezie’s ‘Nwanne’
April 1, 2026
New in Nigeria: Movies and TV Shows to Watch this April 2026
March 31, 2026
Where to Watch 2026 AMVCA Nominated Titles
March 30, 2026
Full AMVCA 2026 Nominations List: Theatrically Released Titles Dominate Best Movie Category
March 29, 2026
‘Aba Blues’ Review: Jack’enneth Opukeme’s Style Meets a New City and Another Interesting Female Lead in a Faltering Story
March 29, 2026
Showmax Originals Find a New Home on DStv Stream From April
March 26, 2026
Okada Media and The Distribution of African Films on Airlines
March 24, 2026
How Much Will Funke Akindele Take Home from ‘Behind The Scenes’ Box Office?
March 22, 2026
‘Headless’ Review: A Meta-Thriller About Nollywood’s Inner Workings
March 22, 2026
FilmOne Teases Some New Filmmaking Voices to Expect in 2026
March 19, 2026
Nollywood’s Highest-Grossing Film ‘Behind The Scenes’ Heads to Netflix April 3
March 17, 2026
Has Nollywood Become Disinterested in Sitcoms?
March 16, 2026
How ‘The Weekend’ Landed The HBO Max Deal
March 16, 2026
TV Shows
New in Nigeria: Movies and TV Shows to Watch this April 2026
March 31, 2026
Where to Watch 2026 AMVCA Nominated Titles
March 30, 2026
Has Nollywood Become Disinterested in Sitcoms?
March 16, 2026
New in Nigeria: Movies and TV Shows to Watch this March 2026
March 1, 2026
New in Nigeria: Movies and TV Shows to Watch this February 2026
February 1, 2026
Our Most Anticipated Nigerian Titles of 2026
January 17, 2026
New in Nigeria: Movies and TV Shows to Watch this January 2026
January 5, 2026
Pan-African Collaborations Take a New Turn in E-Sports Drama Series ‘Respawn’
November 1, 2025
‘Cock Crow At Dawn’ Remake: Writers’ Room Opens in October, Shooting to Begin in Jos in 2026
October 9, 2025
New in Nigeria: Movies and TV Shows to Watch this October 2025
October 1, 2025
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