Wednesday, June 24th, 2026
Menu
Breaking
Preview of January Movies and TV Shows Adé Sultan Sangodoyin Reveals First Poster for ‘We Must Begin Again, Together’, Set for Afrika Film Festival Köln World Premiere (Exclusive) Our Best Nigerian Films of 2026 (So Far) ‘On Different Grounds’ Review: Nollywood Veterans Elevate Mildred Okwo’s Uneven Romantic Comedy Nigerian Government Launches Free Digital TV, Joining Recent Continental Efforts to Strengthen Creative Industries Dika Ofoma’s ‘Kachifo’ Lands Norway’s Sørfond Grant, Adds DUOfilm as Co-Producer Kobby Boateng’s Ghana–Swiss Co-Production ‘The God of Odds’ Enters Post-Production, Reveals New Teaser (Exclusive) ‘Blood Sisters’ Season 2 Review: EbonyLife’s Netflix Thriller Expands Its World of Excess, for Better and Worse ‘MKO’ Review: Ose Oyamendan Revisits the Wound of June 12 and Nigeria’s Greatest Political What-If (Sheffield DocFest 2026) What ‘My Father’s Shadow’ Meant to the Anikulapo-Kuti Family at Private Screening Talents Durban 2026 Announces Nigerian Participants Across Projects and Talent Press

[woocommerce_cart]

Top Posts

Adé Sultan Sangodoyin Reveals First Poster for ‘We Must Begin Again, Together’, Set for Afrika Film Festival Köln World Premiere (Exclusive)

Our Best Nigerian Films of 2026 (So Far)

‘On Different Grounds’ Review: Nollywood Veterans Elevate Mildred Okwo’s Uneven Romantic Comedy

Nigerian Government Launches Free Digital TV, Joining Recent Continental Efforts to Strengthen Creative Industries

Dika Ofoma’s ‘Kachifo’ Lands Norway’s Sørfond Grant, Adds DUOfilm as Co-Producer

Kobby Boateng’s Ghana–Swiss Co-Production ‘The God of Odds’ Enters Post-Production, Reveals New Teaser (Exclusive)

‘Blood Sisters’ Season 2 Review: EbonyLife’s Netflix Thriller Expands Its World of Excess, for Better and Worse

‘MKO’ Review: Ose Oyamendan Revisits the Wound of June 12 and Nigeria’s Greatest Political What-If (Sheffield DocFest 2026)

What ‘My Father’s Shadow’ Meant to the Anikulapo-Kuti Family at Private Screening

Talents Durban 2026 Announces Nigerian Participants Across Projects and Talent Press

AFP Critics Prize Heads to Locarno Open Doors 2026

‘Call of My Life’ Debuts at Number Ten on Top Ten Highest Grossing Nollywood Films Of All Time

Blessing Bulus’ Documentary ‘Mi Tazi’ Selected for Durban International Film Festival 2026

Nigeria’s ‘I Live in V.I’, Ghana’s ‘Too Much Music’ Head to Locarno Open Doors 2026

New in Nigeria: Movies and TV Shows to Watch this June 2026

Five Years After ‘La Femme Anjola’, Mildred Okwo Returns With ‘On Different Grounds’ (Watch Trailer)

Fusion Intelligence’s Film X Launches to Give Nollywood Producers Faster Access to Box Office Data

BBC to Release Meji Alabi’s Nigerian Civil War Documentary ‘Surviving Biafra’ in June

‘My Father’s Shadow’ Set to Return to Nigerian Cinemas in June Following AMVCA Sweep

IFA’s Kids Film Workshop Introduces Ibadan Kids to Filmmaking Basics

‘Call Of My Life’ Review: Uzoamaka Power Dials into the Nigerian Romcom Canon with Heart and Familiarity

Why Are African Films Expected to Be So Heavy at International Festivals?

C.J. Obasi, Damilola Solesi and The Agbajowo Collective Selected for Durban FilmMart 2026

Close Menu
What Kept Me Up