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Y2K-Inspired Short Film ‘Nollybabes’ Features Female-Led Cast in Official Poster Reveal

Nigerian Student Short Film ‘Angel in the Stone’ Shortlisted for 2025 Sony Future Filmmaker Awards

Nollywood Film Club Discusses What Makes a Nollywood Genre

New in Nigeria: Movies and TV Shows to Watch this May 2025

10 Most Anticipated Hollywood Movies Of 2025

6 Key Takeaways from NollywoodWeek 2025 Festival Lineup

Dipo Abdul Osiyemi and Oge Obasi Selected for 2025 Durban FilmMart with ‘Bupya (Renewed)’

Short Film Review: Wapah Ezeigwe’s ‘Shall We Meet Tonight’ is Far from Perfect, But a Queer Essential

AMVCA 2025 Predictions: WKMUp Editors vs Audience

Orire Nwani and Tomi Folowosele Selected for Red Sea Series Lab with Supernatural Thriller Project

James Omokwe’s ‘Osamede’ Set for 2025 Cannes Market Screening

Sharon Rotimi Discusses ‘Finding Me’, ‘The Artifact’ and ‘The Yard’

Official Selection for NollywoodWeek 2025 Revealed: See the Full Lineup

New Sci-Fi Web Series ‘Cause, Effect & Maybe Consequences?’ Brings Absurd Time Travel and Existential Chaos to Screens

Our 23 Most Anticipated Nollywood Titles of 2025

Therapy Meets The Absurd in First Teaser For Ceero World’s ‘The Anomalous’, Starring Keira Hewatch And Michael Uchegbu 

‘The Stone Drew Ripples’ Review: Faith, Family, and Fraud Collide in an Uneven Drama

MIP Africa 2025 Welcomes Filmmaker Submissions for Its Project Pitch Platform

Wizkid Documentary ‘Wizkid: Long Live Lagos’ to World Premiere at Tribeca 2025

‘Labake Olododo’ Review: Stranger Facial Hair, Longer Incantations, Thinner Stories

‘Makemation’ Official Trailer Inspires with A Tale Of Triumph Through Tech

Akinola Davies Jr’s ‘My Father Shadow’ Heads To Cannes

Uzoamaka is Entering Her Power Era

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