Reviews
‘On Different Grounds’ Review: Nollywood Veterans Elevate Mildred Okwo’s Uneven Romantic Comedy
A Nigerian wedding party, as much as it is a celebration, is often a power play. A place where influence is tested, alliances are forged and a pecking order is established. There is a clashing […]
‘Blood Sisters’ Season 2 Review: EbonyLife’s Netflix Thriller Expands Its World of Excess, for Better and Worse
In a rare Nigerian series continuation on Netflix, Blood Sisters returns four years after its first season in 2022, picking up directly from the Ademola family shooting. While Uncle B (Ramsey Nouah) dies from the […]
‘MKO’ Review: Ose Oyamendan Revisits the Wound of June 12 and Nigeria’s Greatest Political What-If (Sheffield DocFest 2026)
Hope, they say, is a very, very stubborn thing. It survives military coups. It survives broken promises. It survives politicians campaigning the language of change and turning around to enforce the language of power just […]
‘Call Of My Life’ Review: Uzoamaka Power Dials into the Nigerian Romcom Canon with Heart and Familiarity
The definition of a romcom is a well-documented and defined concept, parameters are often rigid and the story must follow a formula: hot boy plus beautiful girl plus almost fantastical meeting equals forever after. Dammy […]
Nollywoodweek 2026: Ema Edosio’s ‘When Nigeria Happens’ Review
Nollywoodweek: In the final scene of When Nigeria Happens, we see how submission has been tortured into Fagbo as he mindlessly marches with a group of men, shorn of his former locs and despair sat […]
NollywoodWeek 2026: Laju Iren’s ‘Onobiren’ Review
NollywoodWeek: Nollywood has drawn sustained criticism for its reductive portrayals of women. This tendency emerges from a convergence of socio-cultural frameworks—particularly established patriarchal norms—and external narrative inheritances traceable to Classical Hollywood Cinema, privileging archetypal characterization […]
Nollywoodweek 2026: Thomas Letellier’s ‘Batwing Unmasked’ Review (Documentary)
Nollywoodweek: There is a familiar thrill that runs through Batwing Unmasked. Not the thrill of a recognition of a hero (Africa has had many, and visual and comic artist Loyiso Mkize highlights Ororo as an […]
NollywoodWeek 2026: Orire Nwani’s ‘Hussaini’ Review (Short Film)
Nollywoodweek: There is a very good chance that Hussaini would break your heart. The eighteen-minute-long film opens in a mosque, where Hussaini, among a small congregation of men, bows in prayer. We then follow him […]
News
Nigerian Government Launches Free Digital TV, Joining Recent Continental Efforts to Strengthen Creative Industries
The Federal Government of Nigeria has announced plans to launch a nationwide free-to-air digital television platform, offering Nigerians access to more than 100 television channels at no subscription cost. The initiative, part of the country’s […]
Dika Ofoma’s ‘Kachifo’ Lands Norway’s Sørfond Grant, Adds DUOfilm as Co-Producer
Nigerian filmmaker Dika Ofoma’s Kachifo (Till the Morning Comes) has secured NOK 600,000 (approximately USD 64,000) in production support through Norway’s Sørfond 2026 fund, adding a new international partner to the feature project as it […]
Kobby Boateng’s Ghana–Swiss Co-Production ‘The God of Odds’ Enters Post-Production, Reveals New Teaser (Exclusive)
Exclusive: The God of Odds, a new Ghana–Switzerland co-production from ASAP Studio and 9 NIGHTS, has completed principal photography and entered post-production. What Kept Me Up can exclusively unveil the film’s second teaser. Written & […]
What ‘My Father’s Shadow’ Meant to the Anikulapo-Kuti Family at Private Screening
I am plugged in to My Father’s Shadow Soundtrack, 2026 AMVCA Best Score winner, as I scribble down my experience after a private screening of the film with members of the Kuti family ahead of […]
Talents Durban 2026 Announces Nigerian Participants Across Projects and Talent Press
Nigeria will be represented across multiple strands of Talents Durban 2026, with two projects selected for development, a critic participating in the Talent Press programme, and two industry figures returning as part of the initiative’s […]
AFP Critics Prize Heads to Locarno Open Doors 2026
Following its launch at the S16 Film Festival in 2025, the AFP Critics Prize is heading next to the Open Doors Screenings at the Locarno Film Festival as an award partner, where it will be […]
‘Call of My Life’ Debuts at Number Ten on Top Ten Highest Grossing Nollywood Films Of All Time
Dammy Twitch’s feature directorial debut, Call of My Life, has now boldly made its way to the top ten highest-grossing Nollywood films of all time at number ten, as well as becoming the highest-grossing Nollywood […]
Blessing Bulus’ Documentary ‘Mi Tazi’ Selected for Durban International Film Festival 2026
Nigerian documentary Mi Tazi, directed by Blessing Bulus, has been selected for the student competition at the 47th Durban International Film Festival (DIFF), joining 11 other emerging filmmakers from South Africa, South Korea, Morocco, Spain, […]
Essays
AFRIFF 2024: ‘The Legend of the Vagabond Queen Of Lagos’ Review
AFRIFF: Poverty is a deeply Nigerian condition. It weaves through our lives, some with worse wear than others; but there is no existence in Nigeria not impacted by poverty. It is also an orchestrated condition, […]
AFRIFF 2024: ‘Phoenix Fury’ Review
AFRIFF: To weave a fictionalized past and present into a working tapestry of film is a test of many aspects of the process: the writing must be tight and every excess must be trimmed; the […]
AFRIFF 2024: ‘The Man Died’ Review
AFRIFF: To adapt a book is a struggle of ideas, to adapt a Soyinka book is a struggle of ideas and style, to adapt The Man Died is a struggle of ideas, style, form and […]
New in Nigeria: Movies and TV Shows to Watch This November 2024
All confirmed to be available in Nigeria in November 2024, you will find the titles in four categories, further listed in order of their release dates: – Nollywood Movies (and select African countries)– Nollywood TV […]
‘Hijack 93’ Review: This Film is a Clumsy Fictionalisation of Actual Events
Hijack ‘93 opens with “This film is a fictionalised interpretation of actual events”. When a film begins with such a disclaimer, it gets its audience invested in the story unfolding before them, especially if it’s […]
