Reviews
‘The Herd’ Review: Daniel Etim Effiong’s Topical Despite Uneven Debut for a Desperate Populace in Desperate Times
Daniel Etim Effiong’s debut feature sits at the centre of an important political quagmire: a country refusing to tackle a complex insecurity issue that threatens to destroy an already delicate national fabric. It takes on […]
AFRIFF 2025: ‘To Adaego With Love’ Review
AFRIFF: There are many stories told of victories and the ways they are achieved. The tales of the final battles and surrender, chronicles of the victors and vanquished, narratives strung together of the pacts forged […]
AFRIFF 2025: ‘The Boy Who Gave’ Review
AFRIFF: A first feature often defines the trajectory of a director’s career. It shapes how audiences will come to perceive their work and what threads they’ll follow through subsequent projects. For The Boy Who Gave, […]
AFRIFF 2025: ‘The Good Gift’ Review
AFRIFF: Today’s sermon, or rather review, will be taken from the book of Matthew, chapter 7, verse 11, which says, “If ye then, being evil, know how to give good gifts unto your children, how […]
AFRIFF 2025: ‘Lace Relations’ Review (Documentary)
AFRIFF: There are familiar patterns in history, events that repeat themselves with little to no variations, circumstances that mothers and daughters will experience and moments that nations will often not learn from. With Lace Relations, […]
AFRIFF 2025: ‘Son of the Soil’ Review
AFRIFF: There is no scarcity of bodies in Son of the Soil. Bleeding and strewn across the streets; glistening with sweat, tears and blood; running and ramming into each other; it’s a visceral violence that […]
‘The Greatest Actor of All Time’ Stage Review: Temi Fosudo’s Three-Person Play on The Price of Artistic Purity
When artists cannot change the world, they bicker. Functioning otherwise as actor, writer and co-producer on the project, Temilolu Fosudo brings an energy easy to root for in his directing of this three-man hassle that […]
AFRIFF 2025: ‘Pasa Faho’ Review
AFRIFF: From the beginning of Pasa Faho, Igbo is front and centre in suburban Melbourne in Australia. The soundtrack plays Peter King’s “Jo Jolo” as the white people go about their business on the street. […]
News
Funmbi Ogunbanwo and Wale Davies Call for Stronger Systems and Structure to Protect The Nollywood Story
Hardly a public statement of direction has come from Netflix, one of the foreign platforms that has invested heavily in Nollywood in recent years. But that momentum noticeably slowed at the beginning of the year, […]
Circuits Expands Beyond Streaming, Co-Produces ‘King of Thieves 2’ and ‘Agbara Nla: The Return’
Two anticipated Nollywood projects, King of Thieves 2 and a remake of the classic, Agbara Nla, have recently been announced with the streaming platform, Circuits named as a co-producer on both projects. Being on board […]
S16 Film Festival 2025: Official Shorts & Feature Film Selection Lineup
Following 2024’s Technologic theme, the S16 Film Festival is now calling upon all of the lights for its 2025 edition. Themed ‘Let There Be Light’, the festival is now in its fifth edition and brings not […]
Mami Wata Legend-Inspired ‘Crocodile Dance’ Joins Growing Push Toward Crowdfunded African Animation
African animators and studios in recent years have increasingly turned to audiences and crowdfunding to move their animated projects forward. The latest example is Crocodile Dance, an African futurist animated thriller inspired by the Mami […]
Port Harcourt’s VISIONS Film Society Opens With Films on Home, Migration and Belonging
Port Harcourt may not be a hub for regular film activity, but it holds urgent, overlooked stories, and filmmaker Olohije Oyakhire believes those narratives deserve intentional cinematic engagement. Her vision is straightforward: build a steady, […]
Onyinye Odokoro to Star in Melon House’s Debut Feature ‘Adanne’, A Story Across Three Igbo Generations
Melon House Production has announced its first feature film, Adanne, a family drama set to begin production in November 2025. Written and produced by Gold Gerry (Boo’d Up) and directed by Orobosa Ikponmwen, the film […]
AFRIFF 2025 Interviews Roundup: Zoey Martinson, Allison Precious Emmanuel, Williams Uchemba and More
It’s still very much AFRIFF season over here until the last AFRIFF post drops. For this reason, we’re highlighting some of the interviews that filmmakers, actors had with What Kept Me Up, right from the […]
AFRIFF 2025: Our Festival Highlights and Recap and Full List of Award Winners
In 2023, I was wide-eyed, heart filled with love for film, and ready to experience my first AFRIFF as I made my way to the opening night venue. To my surprise, the event was by […]
Essays
Funmbi Ogunbanwo and Wale Davies Call for Stronger Systems and Structure to Protect The Nollywood Story
Hardly a public statement of direction has come from Netflix, one of the foreign platforms that has invested heavily in Nollywood in recent years. But that momentum noticeably slowed at the beginning of the year, […]
‘A Sunday Affair’ Review: EbonyLife’s Latest Romantic Drama Suffers From More Than a Lack of Attention to Detail
A Sunday Affair follows two friends as they fall for the same complicated man. This situation tests their loyalty to each other in the face of a heartbreaking revelation.
Moshood Fattah on His ‘Far From Home’ and ‘Battle on Buka Street’ Experience, Stage Acting Background and Directing Aspirations
EXCLUSIVE: Moshood Fattah stole hearts in Netflix’s Far From Home (FFH) series, where he plays Michael, financial and advisory support to our lead Ishaya. A lot of Nigerian viewers have expressed how impressed they were […]
A ‘Dark October’ Essay: Linda Ikeji and the Mob
According to SBM, there have been 391 mob killings in Nigeria since 2019. In May 2022, a young lady, Deborah Yakubu, was stoned to death and then immolated in Northern Nigeria. And as recently as […]
‘Tainted Canvas’ Review: Segilola Ogidan’s Family Drama Has an Important Message But Fumbles In Its Thematic Execution
The day before I saw Tainted Canvas, I settled down to watch Babylon (2022), the latest outing from Damien Chazelle, known for La La Land (2017) and Whiplash (2014). I say ‘settled down’ because at […]
‘Before Valentine’s’ Review: Relatable But Plastic Romcom that is just Tolerable for the Season
It’s that season again when we are assaulted with the bloody colours of love, the relentless oppression by those showing off their emotional euphoria; the season most choose to express how they feel about their […]
