Nollywood
There is something special about romantic comedies, maybe because they make us dream of a happily…
After the year 2021 with studio releases like Day Of Destiny (DOD), Prophetess, and Progressive Tailors…
After the 2021 release of time period movie Swallow and the holiday-themed film A Naija Christmas…
6 Questions with Producer Oge Obasi: Getting ‘Juju Stories’ to Cinemas, Streaming Alternatives in the Region and 2022 Release, ‘Mami Wata’
Juju Stories is the first film Oge Obasi has steered to cinema as a producer. Over…
Iranian visual artist Shirin Neshat once said, “Magical realism allows an artist like myself to inject…
Relatively still unknown in Nollywood, Tunray Femi’s work in For Maria Ebun Pataki, an effort that…
6 Questions with Meg Otanwa: Shooting ‘For Maria Ebun Pataki’, Navigating Derin’s Depression and Upcoming projects
Many admit that Meg Otanwa has been a silent powerhouse in Nollywood, as industry colleagues and…
Meet The Critics Company, the VFX Team Behind Kemi Adetiba’s ‘King of Boys’ and Surreal16’s ‘Juju Stories’
Richard and Raymond Yusuff, representing The Critics Company, sit down to answer all of our questions…
“Do you know what Maria means?” one character says to another during the naming ceremony of…
Dance has been employed in various ways throughout film history. In Footloose (1984), it’s a symbol…
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‘King of Boys: The Return of the King’ Review: Protracted Plot Sullies Kemi Adetiba’s Mixed Bag
We must all agree that Kemi Adetiba has had an interesting journey. From directing music videos, to The Wedding Party, then the acclaimed King of Boys and now a Netflix original for a King of Boys series. When one looks closely at the film projects, there are elements of directorial unifications.
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Ibadan Indie Film Awards has opened the submission window for this year’s awards, set to take…
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