Reviews
‘MKO’ Review: Ose Oyamendan Revisits the Wound of June 12 and Nigeria’s Greatest Political What-If (Sheffield DocFest 2026)
Hope, they say, is a very, very stubborn thing. It survives military coups. It survives broken promises. It survives politicians campaigning the language of change and turning around to enforce the language of power just […]
‘Call Of My Life’ Review: Uzoamaka Power Dials into the Nigerian Romcom Canon with Heart and Familiarity
The definition of a romcom is a well-documented and defined concept, parameters are often rigid and the story must follow a formula: hot boy plus beautiful girl plus almost fantastical meeting equals forever after. Dammy […]
Nollywoodweek 2026: Ema Edosio’s ‘When Nigeria Happens’ Review
Nollywoodweek: In the final scene of When Nigeria Happens, we see how submission has been tortured into Fagbo as he mindlessly marches with a group of men, shorn of his former locs and despair sat […]
NollywoodWeek 2026: Laju Iren’s ‘Onobiren’ Review
NollywoodWeek: Nollywood has drawn sustained criticism for its reductive portrayals of women. This tendency emerges from a convergence of socio-cultural frameworks—particularly established patriarchal norms—and external narrative inheritances traceable to Classical Hollywood Cinema, privileging archetypal characterization […]
Nollywoodweek 2026: Thomas Letellier’s ‘Batwing Unmasked’ Review (Documentary)
Nollywoodweek: There is a familiar thrill that runs through Batwing Unmasked. Not the thrill of a recognition of a hero (Africa has had many, and visual and comic artist Loyiso Mkize highlights Ororo as an […]
NollywoodWeek 2026: Orire Nwani’s ‘Hussaini’ Review (Short Film)
Nollywoodweek: There is a very good chance that Hussaini would break your heart. The eighteen-minute-long film opens in a mosque, where Hussaini, among a small congregation of men, bows in prayer. We then follow him […]
NollywoodWeek 2026: Uyoyou Adia’s ‘Evi’ Review
NollywoodWeek: As the internet has grown, we have found some familiarity with the machinations of the entertainment industry; people talk like record label executives, giving armchair expert advice on album rollouts and PR relationships and […]
NollywoodWeek 2026: Ella Chikezie’s ‘In Her Shoes’ Review (Short Film)
NollywoodWeek: Halima (Darasimi Nadi, Obara’M) is not like every other child her age. This much is clear from the opening frames. She struggles with attention. It is easy to mistake her for a mute. The […]
News
What ‘My Father’s Shadow’ Meant to the Anikulapo-Kuti Family at Private Screening
I am plugged in to My Father’s Shadow Soundtrack, 2026 AMVCA Best Score winner, as I scribble down my experience after a private screening of the film with members of the Kuti family ahead of […]
Talents Durban 2026 Announces Nigerian Participants Across Projects and Talent Press
Nigeria will be represented across multiple strands of Talents Durban 2026, with two projects selected for development, a critic participating in the Talent Press programme, and two industry figures returning as part of the initiative’s […]
AFP Critics Prize Heads to Locarno Open Doors 2026
Following its launch at the S16 Film Festival in 2025, the AFP Critics Prize is heading next to the Open Doors Screenings at the Locarno Film Festival as an award partner, where it will be […]
‘Call of My Life’ Debuts at Number Ten on Top Ten Highest Grossing Nollywood Films Of All Time
Dammy Twitch’s feature directorial debut, Call of My Life, has now boldly made its way to the top ten highest-grossing Nollywood films of all time at number ten, as well as becoming the highest-grossing Nollywood […]
Blessing Bulus’ Documentary ‘Mi Tazi’ Selected for Durban International Film Festival 2026
Nigerian documentary Mi Tazi, directed by Blessing Bulus, has been selected for the student competition at the 47th Durban International Film Festival (DIFF), joining 11 other emerging filmmakers from South Africa, South Korea, Morocco, Spain, […]
Nigeria’s ‘I Live in V.I’, Ghana’s ‘Too Much Music’ Head to Locarno Open Doors 2026
Among the selections for the 2026 edition of Open Doors at the Locarno Film Festival, Nigerian and Ghanaian projects are in the mix, following last year’s participation by Dika Ofoma and Blessing Uzzi, as well […]
Five Years After ‘La Femme Anjola’, Mildred Okwo Returns With ‘On Different Grounds’ (Watch Trailer)
Mildred Okwo (La Femme Anjola) returns to cinemas after five years with On Different Grounds, a romantic dramedy produced by Nicole Ndigwe (Before Valentine’s) under her HB&Q Impressions banner. The film’s official trailer arrives ahead […]
Fusion Intelligence’s Film X Launches to Give Nollywood Producers Faster Access to Box Office Data
Think about the platform that powers ticket sales accounting for more than 70 cinema locations across West Africa, or the software that handled ticketing for Everybody Loves Jenifa screenings in Canada. That is the work […]
Essays
Why Are African Films Expected to Be So Heavy at International Festivals?
A girl with a big smile plastered on her face is surrounded by heart-shaped decorations. She is bathed in a warm, saturated red and pink light that evokes a romantic atmosphere. Heart-shaped props are held […]
JJC Skillz Makes Solo Theatrical Return with Action Thriller ‘Hakeem Seeking Justice’, Five Years After ‘Omo Ghetto’
JJC Skillz, real name Abdulrasheed Bello, will return with Hakeem Seeking Justice, his first theatrical release since his work on Omo Ghetto: The Saga in 2020. The new movie, also known simply as Seeking Justice, […]
‘What No One Knows’ Review: The Cost of Forgetting Women in a Nigerian Female Friendship Tale
A bond that has existed across time and media, strengthened by adversity and a world that is often against their existence, is female friendship. This forms the core of What No One Knows. The dynamic […]
‘The Odds’ Are With Nollywood as Loup Garou in Collaboration with Kids Against Cubicles Screen Their Betting-Themed Dramedy
Music creatives coming into the Nollywood space is a propaganda we will always fall for. These creatives have a knack for creating stunning pictures with an expressive style that fits the quality of production on […]
Encounters 2025: ‘Mothers of Chibok’ Review
It can be daunting trying to follow every bit of news in the wake of a tragedy. It can be downright Herculean trying to separate legitimate information from baseless sentiment, or worse, rumours and propaganda. […]
‘Ms Kanyin’ Review: Bloody Spiral of Teenage Recklessness Fails to Meld the Horror of the Madam Koi Koi Lore
The lore of Madam Koi Koi is an ever mutating one. First gaining root in minds during secondary school, the story evolves in detail with every telling. Sometimes she is a woman murdered by students, […]
