Reviews

‘What No One Knows’ Review: The Cost of Forgetting Women in a Nigerian Female Friendship Tale
A bond that has existed across time and media, strengthened by adversity and a world that is often against their existence, is female friendship. This forms the core of What No One Knows. The dynamic […]

Encounters 2025: ‘Mothers of Chibok’ Review
It can be daunting trying to follow every bit of news in the wake of a tragedy. It can be downright Herculean trying to separate legitimate information from baseless sentiment, or worse, rumours and propaganda. […]

‘Ms Kanyin’ Review: Bloody Spiral of Teenage Recklessness Fails to Meld the Horror of the Madam Koi Koi Lore
The lore of Madam Koi Koi is an ever mutating one. First gaining root in minds during secondary school, the story evolves in detail with every telling. Sometimes she is a woman murdered by students, […]

‘Red Circle’ Review: A Concept, A Dream, An Ideal That Even The Thriller Doesn’t Demystify
When you build mystery in a film, there is an important balance between drawing in your audience with questions and never showing your hand too early. You navigate with the cinematic equivalent of a poker […]

‘My Mother is a Witch’ Review: Mercy Aigbe and Efe Irele Rise to the Occasion in a Familial Negotiation of Trauma And Healing
“You’re a witch!” Imuetiyan, the film’s protagonist, blurts out during an emotionally charged argument with her mother (Mercy Aigbe). Unfazed by this accusation, her mother responds wryly that she is indeed a witch and she […]

‘Suky’ Review: The Loud Silence of Ola Cardoso’s Debut
Suky opens in a boxing ring, where Adigun (Tobi Bakre) is instructing a group of young fighters with the assured discipline of a man who has survived too much and seen too little change. Among […]

‘Ori Rebirth’ Review: Uneasy Lies the Head With a Stronger Inner Head
Ori Rebirth, a reboot of the beloved Ori (2004), brings back Muyiwa Ademola as Bisade in an ambitious outing that painfully untethers itself from the Yoruba classic in crucial spots. With its reflective meditation on […]

NYAFF 2025: ‘The Fisherman’ Review
There is a tug of war, a push and pull like the tide of an ocean, that exists at the centre of The Fisherman, the feature debut by Zoey Martinson. It swings between youth and […]
News

Filmmaking Labs, Grants & Funding Opportunities Currently Open To African Filmmakers
Whenever we can, What Kept Me Up will highlight credible grants, workshops, funds, etc that african filmmakers can tap into. Filmmaking as a process, not forgetting the business aspects, can be daunting, and as many […]

‘The Odds’ Are With Nollywood as Loup Garou in Collaboration with Kids Against Cubicles Screen Their Betting-Themed Dramedy
Music creatives coming into the Nollywood space is a propaganda we will always fall for. These creatives have a knack for creating stunning pictures with an expressive style that fits the quality of production on […]

Ema Edosio’s ‘When Nigeria Happens’ to Open Locarno 2025’s Open Doors Section
The 2025 Locarno Film Festival will kick off its Open Doors section with the world premiere of When Nigeria Happens, directed by Nigerian filmmaker Ema Edosio. The film, which has had private screenings in Nigeria, […]

The Shrinking Presence of Nollywood on Netflix in 2025, So Far
With the streaming slowdown, more films have made their way into cinemas, but we’ve intentionally watched fewer of them as a form of quality control and resource management. Also, much has been said about the […]

What Happened in Nollywood in June, as Discussed by Nollywood Film Club
In a short open-session episode filled with rants and bants, Nollywood Film Club tabled various industry events in an unfiltered conversation. In June, they also discussed Yemi Morafa’s 3-part whodunnit series The Party, Taiwo Egunjobi’s […]

Zikoko Brings Its Widely-Read Serials to Life in New Anthology Series Produced by Bluhouse Studios
Popular Zikoko serials Naira Life, Love Life, and Sex Life are taking an on-screen adapted form in an anthology film series, Zikoko Life, created by Anita E. Eboigbe and produced by Blessing Uzzi. Big Cabal […]

With ‘Ms. Kanyin’, Nemsia is Collecting Diverse Nigerian Movie Genres Like Infinity Stones
There’s no gravity for the minds of the people at Nemsia Studios as the release of Ms. Kanyin continues their current run of producing films across a range of genres. Their latest offering, Ms. Kanyin, […]

‘The Lost Days’, The 9th Film From The First Features Slate Explores The Themes Of Family And Forgiveness
Nollywood gets a new family drama this July with The Lost Days, premiering exclusively on Prime Video on July 11, 2025. The film marks the ninth release under the First Features Project, continuing the initiative’s […]
Essays

Movies and TV Shows Available in Nigeria in October
Obara’m and Inside Life were our Critic’s Picks in September. Following a packed September, new releases will slow down a bit in October. 2021 Kayode Kasum-directed film Soole and new workplace series Becoming Abi arrive […]

‘Anikulapo’ Review: Kunle Afolayan Thrills Viewers with New Epic
-Spoiler Alert- 2022 seems to be a coming-of-age year for traditional epic films in Nollywood, with audiences being treated to culturally rich films. Earlier this year, King of Thieves stole hearts in the cinemas, now […]

Ranking Kunle Afolayan’s Debutants, From ‘October 1’ to ‘Swallow’
Nigerian filmmaker Kunle Afolayan is known for regularly casting non-actors and first-timers in key roles. Right from Demola Adedoyin’s performance as a serial killer prince in October 1 to music artiste Niyola’s performance in period […]

‘Brotherhood’ Review: Falz and Tobi Bakre Lead Ambitious Crime Thriller
Thrillers that have twins as the lead characters seem to always have exciting plots whether the characters are working together against a common adversary or whether they are on opposite sides. Brotherhood joins films like […]

Short Film Review: ‘Of The Essence’
I do not think we’re meant to see films once. Stanley Kubrick once said, “The whole idea that a movie should be seen only once is an extension of our traditional conception of the film […]